Tag: TV

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Day 1709 and Love is Blind UK and Better Late Than Single Failures as Global Cultural Mirror

It’s no secret I have come to love the sub-genre of reality dating shows about new ways of dating in the social media era.

I’ve watched every single episode of Love is Blind including the international versions as well as the matching shows that range from religious matching to cultural affinities and disabilities.

I am having a rough week what with my own chronic health challenges and the death of my father over the long weekend. My husband is also brutally ill with the flu. So it’s just generally 2025 on maximum. All brakes and no gas.

So I took a break from reality. to watch the reunion for Season Two of Love is Blind: UK aka the working class multicultural Manchester season as well as test out a South Korean dating show for forever singles or motae-solos in Korean called Better Late Than Single.

Now I’m a middle aged elder millennial who turned over into her forties with ten years of marriage so keep that in my mind. My husband and I met through a mutual friend and now I wonder if we were on the last helicopter out of Saigon.

We worked in the nascent New York startup scene. Over the course of two birthdays, a year apart, for that same friend, we got our act together (ok I did) and began dating.

A few weeks before we got engaged, that same friend showed us this new dating app called Tinder. We laughed at the bare bones profiles as were used to involved questionnaires from OKCupid.

Many of our friends had worked for the dating holding company juggernaut of Barry Diller’s called IAC. The founders of the OKCupid subleased space from Alex’s startup. Dating app culture was part of New York startup culture.

It’s clear that these applications have left a cavernous void in the culture of mating and dating not only in America but across the world. From Raya to AMANDA (a very judgmental Korean dating app) we’ve found all the ways to maximize for the most superficial aspects and signifiers of a person.

Some cultures seem to have taken this to extremes. On rainbow coalition class coded Manchester season of Love is Blind: UK we had Indian posh girls dating down class half Pakistani guys and Albanian girls falling for Lebanese guys. It was a clusterfuck. I won’t spoiler anything but the disposable attitudes clearly came from long habit you associate with dating application culture.

Meanwhile the forever singles have taken the opposite approach. Rather than sweetly autistic singles being helped along as Love on the Spectrum does, social media personalities roast painfully awkwardly awful members of the opposite sex fail to listen to each other. Holding eye contact and grossly insulting someone via misunderstanding was the tone.

If those media pieces show anything it’s the utter lack of tenacity being displayed by everyone involved. Sure, someone willingly going on a reality show is extreme. But the deep desire to be seen and loved goes beyond any culture or awkward social technologies. We’d all do with learning to fight more for love and family.

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Media

Day 813 and You

I took some of today off to watch television as I’ve been in a bit of an overwork tumult. I finished the 4th season of the psycho-sexual thriller You starring Penn Badgley.

I recommend the streaming series on Netflix (I’ve not read the books on which it is based) unabashedly to all women who have ever dated men seeking to save them and to men with mommy issues seeking salvation in broken women.

I may get a bit spoiler-y in this post so now might be the time to peel off if you don’t like knowing anything about a show though I promise to avoid big plot twists.

I was struck recently by an excellent Twitter thread from journalist and my favorite therapy poaster Heidi about how men are socialized to “never be the bad guy.” I felt it was particularly salient as I finished the newest season of You which hinges on the tricks ego plays on you to help you ignore your shadow.

Realizing that what you do and who you are are not the same thing but that we have responsibility for the consequences of our actions is kind of the whole enchilada of therapy. If you’ve ever worried you are a bad person or struggled with shame you recognize this.

You makes some clever stabs (pun intended) at dealing with the darkest manifestations of this by pairing women who need saving with a serial killer. Empire of skulls becomes a bit more than metaphor as it closes in on how wealth intersects with mommy and daddy issues and inter-generational trauma. I really do recommend it watching it.

In true “it’s hip to be square” American Pyscho style, it’s unclear how much we are meant to consider whether it’s possible to have “a good kill” as an intellectual exercise. What we do end up considering is that shadow integration work is invariably a dangerous Dr Jekyll and Mr Hyde affair. And what kind of lies we are willing to tell is a function of our relative power as it intersects with a traumatic childhood.

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Media

Day 810 and 90s TV

I’ve not had a lot of spare time for entertainment and recovery in what turned out to be a very busy month. This left me in a small quandary as Alex and I finished both a comedy and a hour long drama right before all hell broke loose.

My husband and I tend to always have a short form sitcom and a longer prestige piece in rotation depending on how tired we are at the end of the day. We’d run through all the comfort shows and couldn’t fathom testing a new something more serious.

I’m not entirely sure how but we decided to pick up two classic 90s era shows. For our comedy we picked That 70s Show and for our drama we picked the procedural NYPD Blue. Our expectations were that these would be easy to watch simple shows without much depth. And boy were we wrong.

I don’t recall watching a ton of television when I was a kid and I doubt I would have been allowed to watch gritty cop dramas. But the way folks kvetch about how network television sucks I went in expecting middle brow fare. Millennials have had both streaming and cable for so long we’ve come to expect tv that caters to our preferences tend to look down on anything made for the masses.

As it turns out, having to appeal to broad swaths of people actually has some advantages. Both shows are steeped in deep emotions and relatability. The writing is snappy and straight forward. The characters are multifaceted even as they work through their personas.

The fact that I’m relating to the struggles of a shitty racist balding drunkard detective and a pack of Wisconsin teenagers is probably a positive thing. Shared humanity is getting lost in consumer preferences and social identities.

We think unless we see ourselves on the screen we couldn’t possibly relate. And I’ll say I’ve appreciated more representation in entertainment as I often feel hopelessly un-relatable. A

nd yet I’m enjoying relating to humans that never even existed as portrayed by professional liars. So maybe there is something in that. The human experience is the thing, not that the experience must demonstrate it’s connection to your life.