Tag: Consumption

Categories
Aesthetics Media Travel

Day 2007 and Notes While Airborne on Condé Nast Traveler or My Life Commodified Without Pay

I wrote these notes while a little bit high, both literally (a transcontinental flight) and figuratively (CBD & a THCa blend meant to give anti-inflammatory relief without hitting your mind but it probably does) but it’s hard to say if I’m less focused than when I’m on the ground. You be the judge of that. Nostalgia machine clicks on

Business class and its perks are lost on me as I don’t drink alcohol. So I had rhubarb and raspberry tonic water in whatever passes for cut glassware on airplanes now. I said no at the fancy lounges to very decent champagnes but I don’t want to get dehydrated. I got a sugar crash instead.

I’m listening to Ethiopian jazz as I find this piece relaxing in the context of airplane travel. Mulatu Astake is a master in a genre I don’t even like but this particular piece has always spoken to me.

You may know it as it was featured in an episode of the Bear where a pastry chef is sent Copenhagen to study at maybe Noma. I’m annoyed that a cuisine and a composition I used for marketing fifteen years ago is now the stuff of prestige television. 

Nobody paid me for the diffusion but I was paid for the original campaign. A lesson for anyone bitching about how their work wasn’t compensated by the artificial intelligence models that ingested their contributions. 

I brought the chef for a pop up event for Club Monaco sometime in the early teens before he was a full blown sensation (and well before the fall).

How funny that I should manage a Club Monaco Facebook page involving a pop-up event for a chef that would go on to define so much of culture.

I worked with impossibly cool creative director on the account who was famous in Japan for his photography and also as the guy who made Pabst cool for hipsters. I sometimes wonder where he ended up when his talent set was so hype sensitive.  But we were pretty ahead of the times on this one.

Before this fashion agency career, in the post GFC aughts, lived across from a weekend installation of a projected light Pabst installation when I was in North 7th and Bedford.  My Turkish banker roommate and I used to throw raves there so we couldn’t exactly complain about the lights hitting our living room. But it was a good campaign in a good location.

I shot low budget fashion shoots during the day with a very competent hungry young editor. She worked as a waitress at night and for me during running our fashion editorial to get toehold in the business. It seems to have worked.

She has an amazing career, a handsome husband, a beautiful child and kicked it off with an impossibly stylish wedding which every hipster you knew copied till well past the Tommy Hilfiger event horizon of having no soul. We had a tortured Swedish nepo-baby photographer too.  I adored him. It was a very “rents were cheap” time in hindsight. 

Anyways, in transit through Heathrow, I picked up a raft of print magazines from the Cathay lounge which kicked off this nostalgia. I’d browsed Wallpaper but as I’m not a design person a flip through was fine.

The Cathay Delight is the same shade as this campaign from Van Cleef and Arpels.

But Condé Nast Traveler caught my eye as I went in to grab the pink Financial Times. I got Tattler as well as why else fly British Airways if you can’t get some gossip on this social hierarchy right?

It’s just that taste is so far down the commodity chain anymore it’d hard to know when and where to find any thing that’s not made to be sold to someone. The menu on my flight had basque cheesecake. That became a joke on a trip I threw together last minute for girlfriends in Corfu. Apparently it’s made it into the Club World menu much to its detriment. 

The choices from Condé Nast on a perfect summer was so on the nose. Montana’s Rocky Mountain sybarism and off the beaten path Adriatic and Ionian options for exploring covers and lots of seafood.

The whole damn thing reads like my travel itinerary.

Yeah that’s my coastal move with friends and family. And I do rather loudly live in Montana. It’s like am I joke to their psychographic team? A department that has three people no less. And they only market to women exactly like me. Funny that. I’ll have to check up on their old editor Lilit. She was much better than whatever this nonsense of repackaged Julie seems to be.

Categories
Startups Travel

Day 2001 and My Odyssey Continues

A vast somewhat intimidating vista is stretching ahead of me between two thousand days of writing every day and the possibility of reaching three thousand days of writing every day. One day and one post at a time right?

So like any sane woman setting out on a long journey, I ate a salad, had some protein and checked myself into a spa for a massage. No reason to start a long journey exhausted right? I need to pace myself.

I got a pedicure to immediately turn restoration to grooming necessities, but one can’t keep pool blue toenails all summer. Not every day is spent on the Ionian. Some days are spent at nuclear facilities in steel toed boots. Other days are spent in kitten heels inside conference rooms.

Just in case anyone does need to see my toes after those scenarios, I try to maintain a tidy nude set of nails. Isn’t it strange what expectations we have for women?

I may work remotely, at odd hours and in odd locations that allow the occasional eccentricity, but at any moment I might need to be on an airplane headed to parts unknown. You only get to be so weird when you have big goals.

In this case, next week I’m headed to a desert town and then a state capital. That’s state is becoming a more regular occurrence in my life. That’s a pretty big privilege for me.

Being a supporting player in a number of larger endeavors gives me the chance to add additional gravity if and when I might be useful. Even if it is just showing up as a cheerleader. I love trying to convince smarter, better capitalized and better connected players than me that indeed it is my startups are the winners in the grand game of macro-cycles.

I wrote that the world was getting to be a lot more chaotic when I first started this writing journey. Now that’s common knowledge. Then and now, I care about adaptability to this increasing complexity. This has turned out to mean compute, energy and decentralization.

The strength of your network is in the flexibility and foresight of its nodes. And I hope I remain a trusted node at the forefront of our long journey as a species for as long as I serve us well. I’ll carry on this Odyssey till then.

Categories
Aesthetics Culture

Day 1982 and Gate Keeping Is Back

One of my most disappointing life lessons remains the value of gatekeeping. Sometimes the fences do indeed make good neighbors and Chesterton may have had a point.

My ambition coming out of school was to be in media, more specifically I wanted to be a fashion editor. A job a million girls would kill for right? No, I am not falling for the nostalgia dross of the Devil Wears Prada sequel.

A not uncommon response to growing up in a mountain town or remote place, is the desire to is escape to bigger places. Media used to be the portal to the stories about the wider world. You found new worlds in books, magazines, movies, television and eventually the internet. Many of us want to reach broader culture of the world.

Alas I was immediately confronted with the reality that those jobs were glamorous and thus badly paid. I couldn’t afford a job at Vogue nor did they want me so I made websites instead. I became a fashion editor after my own fashion.

Like so many millennials, I had naive expectation that if we could simply open up the gates keeping regular people out of these rarified closed worlds we’d not only bring more beauty to regular people but the beauty of regular people would also improve culture.

Yeah, that’s not how social media turned out is it? I still feel some guilt over how much the “here comes everybody” age of social media degraded many of the spaces I aspired to be inside.

And I am witnessing a new wave of closed spaces and gatekeeping emerge in order to nourish the cultivation of culture that gets crushed under the weight of algorithmic speed and microsecond trend cycles.

The rise of the group chat is an immune response to a world without any sort of borders or checkpoints for quality control except the pricing mechanism. Why cultivate taste if we can cultivate cost? If we haven’t figured out a taste barrier a price one will have to do.

I am personally opposed to price being the barrier function to culture, but if no one is willing to enforce standards in any other manner I am not shocked that we will go further inside perceived safe spaces in order to avoid the harsh glare & garish expectations of mass market access at all hours to all people.

I am trying to remain committed to being accessible to others by remaining online but even I gate-keep myself now with little litmus tests and hurdles to keep from being flooded by asks and audiences. The private world of access cycles will come and go and for now the fences have gone back up.

Categories
Aesthetics Culture Homesteading

Day 1963 and Late Snow and Death

It’s funny that whenever I should have a particularly good week I am inevitably presented with pain and a bad day. And today was a bad day.

I woke up starving at 5am for no reason. Everything hurt. My skin was peeling and I was freezing. A snowstorm barreled in overnight which was cause for some distress and an awkward moment of uncertainty as whether our spring chickens could weather the storm. It’s their first full week out of the barn and in the outdoor coop and the smallest one is still so very little. They did great but they were not happy about it.

Our five new pullets who are snowed in on the first week outside the barn

I also got a sad bit of news about a company that I had witnessed being birthed through its early years as a direct to consumer darling. My first boss had been on its board and their technical cofounder was a college friend who also worked with my prior boss.

If one is to believe the reporting it was sold in debt to a large foreign company whose own brand is the antithesis of what the startup has meant to its customers. It was the first and last of the direct to consumer companies.

I don’t wish to make anyone sadder than they already are about it and I am saddened common stock holders get nothing. It’s a common story in the space and it hurts to see every time.

So I went and bought a bunch of basics in memory of what the company had tried to be and in a show of mourning as I do not trust the new owners to maintain quality.

That’s a common story in all consumer categories now. One is sometimes let down by growing too quickly or raising too much too fast and I have so much sadness in my heart that reality. It was the end of an era.

Categories
Aesthetics Culture Reading

Day 1960 and Return to Tufte

The more power we seem to gain working with large language models, the more apparent it is that few of us are visually literate in a meaningful way. When you hear talk about design, it is all too often moods and vibes with no specifics.

Now, you might say that you know what you like when you see it. That’s also how we let the Supreme Court talk about porn. Clearly untangling the weft and weave of taste (and by extension culture) can be further articulated rather than relying on subjective, non-definitional standards.

How you came to your visual reference preference set is quite a bit more complicated than whatever pre-digested piece of media came across your algorithmic feed.

You can explore design languages from one token to the next, but visual literacy involves a lot more than scrolling or confirming you’d like to see more content “like this.”

When I first began circulating in design circles in the early aughts, the hipster set was obsessed with Edward Tufte and his now classic Visual Display of Quantitative Information.

Edward Tufte taught data analysis and public policy as a professor at Princeton and Yale for 31 years.

Tufte, via his Graphics Press, wrote, designed, and self-published 5 books on analytical thinking and showing, taught a one-day course, Presenting Data and Information for 923 days to 328,001 students.

Who knew Tufte and I both shared a love of marking the days of our work? He influenced many more people than I have but I find some joy in that coincidence.

His most referenced work, which I mentioned above was published in 2001. Visual Display of Quantitative Information was on the desks of everyone designer I knew, from fashion and Silicon Valley to public policy it was a mainstay. The man knew how to lay out information visually and he became the standard.

Some of Tufte’s self published tomes

The long tail of enthusiasm for displaying data beautifully surely owes its ubiquity in some part due to his success in teaching my generation’s designers.

He’s became for a period so universally referenced that Tufte became a cliche. Now he’s classic a quarter century later. His work arguably as successful as a visual language reference anchor as bookshelf favorite, “The Design of Everyday Things” by Donald Norman. His work is also denigrated as cliche in some circles.

The Design of Everyday Things second book cover

Both men offered clarity and practical principles over taste and theory. Those academic predecessors befuddled many who experienced aesthetics primarily through semiotics and critical theory. It felt revolutionary to return to form and function

You “Kant” really learn to love the languages of aesthetics from theory alone as it turns out. I’ll place a little AI synopsis to make the connection clear. This is from Perplexity:

Someone might relate to the popularity of Edward Tufte and The Design of Everyday Things as part of a broader hunger for clarity over clutter in how information and objects are presented.

Tufte’s work is influential because it treats visual design as a serious vehicle for understanding data, while Norman’s book argues that everyday things should be intuitive, legible, and centered on the user.

A Tufte-style chart removes decoration so the trend is easy to read, while a Norman-style kettle shows clearly how to fill it and pour it without guessing.

Both are forms of respect for the user: one respects the reader’s attention, the other respects the user’s actions.

Learning how to use an item or a tool, or how to interpret charts or graphics, can easily overwhelm anyone and feel disrespectful to students. A whole era of computing was stuck between the power of the command line and the legibility of the desktop metaphor.

Norman spoke of the Gulf of Execution as the gap between a user’s goal and the means to execute that goal. Tufte similarly wished to remove the confusion in charts and graphs so one’s ability to glean information wasn’t stuck in a gulf of understanding thanks to overwrought bar chart or sankey diagram.

With new artificial intelligence tools we are bridging some of that gap, not with design but with raw computing power. We are moving beyond the CLI and the desk and into a world of reference and inference.

I just hope we all take the time to learn our reference set so we can do more than say “I know it when I see it” as that will be our only way across the gulf of execution. Some things never change. Learning the languages of your field is one of them.

Categories
Aesthetics Culture

Day 1959 and Chambre Syndicale

I’m in my luteal phase so primed to be grumpy, frumpy and otherwise combative. You’d think this wouldn’t be an issue as I’m currently experimenting with synthetic hormones and all sorts of experimental peptides but the feminine is a mystery.

Thankfully this cunty attitude had a positive side effect of spiraling me into a group chat debate over what constitutes couture. Haute couture literally means “high sewing” or “high dressing making” in French.

I just had to be technically correct as it’s the best kind of correct. I only know as once upon a time I picked a fight with Fédération de la Haute Couture et de la Mode aka La Chambre Syndicale as old school fashionistas tend to still call it.

I may have done a kind of DDOS (allegedly) on their publicity fax machines to get their attention to further my guerrilla reporting efforts. They were not amused by the chron job I set to send them regular faxes at specific intervals. Anyways.

The TLDR is essentially that what constitutes couture is a bit like champagne. It only counts if it’s from the ateliers of Paris with very specific artisans (and a number of them) using hand sewn techniques which sell only to private clients with custom fittings. They then approve your atelier if you meet these standards.

Couture is not custom made clothing nor is it a form of luxury determined by price or self labeling. And it is definitely not “ready to wear” clothing you can buy off the runway. If an elaborate dance of craftsmanship and French bureaucracy. As an American I find it a bit silly but I don’t care for cartels of any kind be it drug, oil or clothing.

Many designers will try to get away with calling a custom made item couture in order to ride on the 170 year aura of French fashions but it’s not really what is meant by couture and it’s absolutely not what is meant by haute couture.

You don’t see Savile Row tailors calling themselves couture designers nor should they. That would be silly and imprecise. They are Savile Row tailors and that’s its own special custom suiting process.

Being imprecise in one’s specifications is exactly the opposite of what you’d want from someone making you a custom wardrobe based upon nearly two centuries of a professional cartel’s specifications.

So please don’t call something couture as a short hand slang for custom design. It may be ready to wear. It may be tailored to you. But only those who meet the standards of the Chambre Syndicale carry the designation haute couture. Otherwise it’s just sparkling custom made clothing.

Categories
Aesthetics Internet Culture

Day 1958 and Skymall Kities

My father loved gadgets. He was always tinkering with something and was always upgrading his electronics to some new specification.

Is it any wonder that I married such a handy husband? Men love futzing around with stuff. Sometimes they have daughters and then you’ve got women like to mess around with projects too.

I am sure we will have endless rounds of nostalgia for the eighties and nineties era gadget, electronics and novelty shops. You could get lots of mileage out of building your own computer.

But even setting up something silly from Skymall or Sharper Image captured some of the joy. The novelty of a new invention was visceral. I wouldn’t say no to a Hammacher Schlemmer renaissance myself.

I didn’t love it when we remade that style of retail into quirk chungus millennial fandom but I didn’t hate getting Star Trek tchotchkes either. And now I dearly love websites that my friends have built like WireCutter.

My husband was humming the tune to a piece of YouTube esoterica that is a deep cut to the original editor of that bastion of shopping guides. Choire Sicha launched the WireCutter but it’s in some ways the least soulful of his franchises. A Mike Albo shopping column already nailed the bit we’ve just been redeeming it since then.

Choire gave us Gawker 2.0 before his his incredible era of independent publishing streak making properties like the Awl and the Hairpin.

In a world with more shops and essayists than good shoppers or readers, Choire found the good ones and shared. And one of his discoveries was Nina Katchadourian’s work.

And so now my husband sings the tune of SkyMall Kitties and he sometimes can’t get it out of his head.

Maybe that is my own submission to the “thing I think about too much” essay franchise. It’s my own personal Negroni season or Supreme’s clusterfuck of totally uncool jokers.

I’m sure we will enter an exciting new era of curating down the perfect piece of cultural detritus with artificial intelligence. But I will always be grateful to electronics dads and savvy buying guides for teaching me to enjoy the joy in making something. Even if it is profoundly uncool. I’m still team Barbara Kruger though. Don’t believe the hypebeasts.

Categories
Aesthetics Internet Culture

Day 1938 and ChatGPT 2.0 Image’s Mood Board Mania

Every time a new AI image generation model comes out, there is a wave of people creating new content riffs inspired by their friends testing out the newest capabilities.

Yesterday OpenAI released ChatGPT Images 2.0 which is tool powered by the gpt-image-2 model designed as a “visual thought partner.

It is pretty fun to play with if you have even the slightest design or visual vocabulary to work with. Or even just a couple cool selfies.

No need to focus on regulatory capture politicking, compute shortages, geopolitical drama or shipping choke points when you can create cute social media content right? Screw a grey zone informational wars (or even a hot kinetic one) girls just want to be remade as a fairy princess science or as Studio Ghibli character.

So what’s the next trend? My feed produced a wave of mood boards with color theory, swatching, fabric pins, makeup stories, hairstyles, other mood board elements that combines everything from descriptive prose to capsule wardrobes. And all this from a a couple of basic uploaded photos and some simple prompts.

I choose the below images and said “do a color analysis of the woman in this picture including best colors, makeup choices, hair choices, style options and create a mood board with outfit inspiration, prints that work, accessories and other details”

From there it spat out a long analysis which I will post below. I then asked that analysis to be mocked up in a mood board based on the look and feel of the images with the descriptions from the analysis. And I’m not going to lie it’s pretty good and clearly ChatGPT can smell the Ann Taylor on me. I mean, umm, it can tell I spent time working for some of best known American heritage retailers.

Now it gets weirder the more you try to edit it. The slow warping of my face from my own to I’m going to say Sheryl Sandberg is a little unsettling. But I do wear a lot of silks and prefer greens and browns though I am often a little black dress defaulter.

Now I just went through an enormous exercise in which I tried to find a television and camera ready foundation where other models were sure I was a soft autumn but a soft summer isn’t all that far off.

And I appreciate the buttering up OpenAI does with their quiet luxury spiel. I’m more of an Italic luxury buyer and a Quince if I’m feeling like a gamble. But somewhere back before all this inflation I for sure was the kind of girl who wore chunky antique vermeil accessories and never turned down a nice olive green.

This is a great set of photos for analysis—different lighting, styling, and contrast levels make it much easier to see your natural coloring clearly.

🎨 Overall Color Season: Soft Summer (leaning Neutral-Cool)

You sit in that refined, muted, slightly cool palette with:

  • Low-to-medium contrast (your features blend rather than sharply contrast)
  • Soft, diffused coloring (nothing overly bright or high-chroma)
  • Neutral-cool undertone (pink in the skin, but not icy)

You can borrow slightly from Soft Autumn (especially olive/green tones), but your best looks are cooler and more muted.

🌈 Best Colors for You

✅ Core Palette (your power zone)

  • Dusty rose, muted mauve
  • Soft plum, blackberry
  • Blue-gray, slate, steel blue
  • Sage, eucalyptus, muted olive
  • Taupe, mushroom, cool beige
  • Soft navy (not inky or harsh)

⚠️ Approach Carefully

  • True black (can feel a bit heavy—your blazer photo shows this slightly)
  • Bright white (too stark—soft ivory is better)
  • Bright jewel tones (too high contrast)

🚫 Avoid

  • Neon anything
  • Super warm oranges/yellows
  • High-contrast combos (black + white, etc.)

💄 Makeup Direction

You look significantly more harmonious in the softer, diffused look (photo 1 and 3 vs the sharper blazer look).

Skin

  • Light to medium coverage with a natural or satin finish
  • Avoid overly matte—your skin looks best with a bit of life

Blush

  • Rose
  • Soft berry
  • Muted pink (what you’re wearing in photo 1 = excellent)

Lips (this is your strongest feature zone)

  • Rose gloss (photo 1 = perfect)
  • Mauve nude
  • Sheer berry stains
  • Avoid: orange-red or overly brown lipsticks

Eyes

  • Taupe, mushroom, soft plum
  • Cool brown instead of warm bronze
  • Soft liner (charcoal > black)
  • Mascara: brown-black ideal

💇‍♀️ Hair Analysis

Your natural coloring works beautifully—this is key.

Best Hair Direction

  • Neutral to cool brown
  • Slight ash or soft cocoa tones
  • Subtle dimension (very blended, not high contrast)

Avoid

  • Golden highlights (too warm)
  • Very dark/black dye (overpowers you)
  • High-contrast balayage

Styling Note

You shine with:

  • Soft movement
  • Natural texture
  • Slightly undone polish

👓 Glasses (important win here)

The black frames:

  • Add structure (good)
  • But slightly overpower your softness

Try:

  • Soft charcoal
  • Translucent gray
  • Muted tortoiseshell (cool-toned)

👗 Style Essence + Mood

You read as:

Soft Minimalist + Intellectual Romantic

(very understated, very intentional, very modern)

Think:

  • Quiet luxury
  • Slightly academic
  • Soft structure, not rigid tailoring

🧥 Outfit Direction

Silhouettes

  • Fluid tailoring
  • Draped fabrics
  • Soft blazers (less sharp shoulders)
  • Relaxed but intentional lines

Fabrics

  • Silk
  • Fine knits
  • Matte satin
  • Soft wool
  • Avoid stiff, shiny synthetics

🧵 Best Neutrals (your wardrobe backbone)

  • Mushroom
  • Cool taupe
  • Soft navy
  • Dusty olive
  • Muted charcoal (instead of black)

🌿 Prints That Work

Because your coloring is soft, your prints should be too:

✅ Ideal

  • Blurred florals
  • Watercolor patterns
  • тонal (low contrast) stripes
  • Soft geometrics

🚫 Avoid

  • High-contrast graphic prints
  • Sharp black/white patterns
  • Loud, busy designs

📌 What Your Photos Show (Specific Feedback)

Photo 1 (window light, glasses)

Best overall look

  • Soft pink lip = perfect
  • Brown shirt = harmonious
  • Natural light = confirms your muted palette

Photo 2 (black blazer)

  • Black is wearing you slightly
  • More contrast than your features naturally support
  • Makeup slightly sharper → less aligned with your softness

Photo 3 (relaxed, green tone)

  • Muted green = excellent
  • Skin looks balanced and even
  • This palette direction is very “you”

🧭 Style Keywords (use these when shopping)

  • Muted
  • Soft
  • Washed
  • Dusty
  • Neutral-cool
  • Blended
  • Understated
Categories
Finance Preparedness

Day 1923 and Petroleum Dependency Consumer Packaged Goods Risk Dashboard

A chunk of preppers and preparedness enthusiasts are just shopaholics. Shopping is common response to anxiety and depression. Doing something that you can control in a world you can’t control has logic to it.

Now experts in disaster response will tell you that preparedness is as much about skills and community as it is about “stuff” but it’s a lot harder to learn a new skill and nurture community than it is to buy something.

So if you aren’t up for getting first responder certified or spending time in your local library I’ve got just the thing to sooth your anxieties about the current situation in the straight of Hormuz.

I vibe coded a dashboard of common household items with petroleum byproducts in them. It analyzes ingredients and wholesale pricing and assigns risk scores so you can make a shopping list of items most impacted by the ongoing supply chain crisis.

A screenshot of the dashboard I vibe coded today to soothe my anxiety about supply chain disruptions and get ahead of pricing hikes and potential shortages

From diapers to sunscreen, you’d be shocked at just how much our basic needs are downstream of petroleum byproducts. Now it’s just a silly little thing I used AI to put together, but petroleum dependency in consumer packaged is high.

From food products and personal care to drugs, you will find we that we rely on petrochemical feedstocks everywhere.

I’ll mess with it as I add in new data sources and get suggestions for categories I’ve missed. But I’d love for you to check it out even if I am not quite done improving upon the basic idea. You might learn something.

For instance, I didn’t know Kroger’s had a public pricing API till today so you live, you learn and then if you have a kid it’s time to buy Luvs. No really diapers are one of the most at risk products for shortages as the impacts of the war ripple out.

Even if the fighting ends today (as I write this a temporary two week cease fire has been agreed to), the damage to processing, production and manufacturing is already enormous.

Say you aren’t worried about price hikes but you are concerned with the environmental impact of your purchasing habits. I included alternatives in the dashboard if you’d like to make a switch.

Time to buy Aquaphor and Vaseline

The data is compiled from DOE, S&P Global, Investing.com, Packaging Insights, VCCI trade reports. A petroleum dependency score is assigned based on estimates of ingredient analysis.

The prices reflect wholesale market trends so you can be prepared to get ahead before retail prices go up. I’ve even included a bit of context on what aspects of the product are petroleum derived ingredients just for fun.

Below is a screenshot for food preservatives. A type of dependency many of us would like less of in our consumption. Maybe the dashboard helps you improve your diet with a little knowledge. Who knows! Isn’t vibe coding fun?

On another note, I remain amazed at what we can do with artificial intelligence and natural language input. This took me very little time thanks to Claude Code, Perplexity Pro and Cloudflare. If you haven’t explored the wide world of vibe coding now is definitely the time.

Categories
Biohacking Emotional Work

Day 1920 and Walking The Dream Roads to Costco

Yesterday I was really struggling with pain. It was all I could do to scribble up an appreciation for my 18th anniversary using WordPress for my writing.

I am doing everything I can to biohack my way around a chronic autoimmune condition that interferes with my quality of life. My love for my life and work is strong.

Sometimes it is strong enough that I willingly try all kinds of therapies from oxygen to hormones. Now I am working through a hormonal treatment recovery (my 2nd attempt) as I believe it is working.

Of course, life happens constantly, which means juggling deep dark horrific pains while the business of war and the business of my own portfolio goes on.

I’ve not had good sleep this week between the excitement of huge wins and the terror of facing down another global crisis brought on my conflict.

You’d think I’d be used to it. Russian invaded Ukraine the week before I left to live in Frankfurt. I was living in Tallinn when 10/7 happened. I was also there when Estonian cables to Finland were cut. One of my best performing companies has had to work around three kinetic wars.

No wonder sleep can be elusive. Yesterday all dream roads carried me to horrors. I woke myself multiple times. You can literally see in my sleep tracking the spiking heart rate and my forced waking.

The positive side to this fitful pained sleep was being up early enough this morning to prepare for a Costco preparedness run and still arrived before their executive member hour was finished.

We rotated our basics like rice and beans. Tinned fish, chicken and other canned and stable shelf proteins are just part of preparing for a nightmare that we hope never comes. Preparedness is a civic obligation. Help yourself to take the strain off the system so we all make it.

It’s possible we are facing an industrial process cascade thanks to the war in Iran and I like us have supplies just in case. We can’t know what comes next but it’s good practice to check expiration dates and make sure you have everything from first aid kit supplies to soap. You’d be surprised at just how much processing fuel fuels the rest of the world’s production.

After all this, I was happy to get stumble into bed and take a long nap. I didn’t even wash the sunscreen off my face. I was running a deficit and wanted to have REM sleep where I wasn’t trapped in horror. Thankfully I got almost two hours of restorative sleep this afternoon and I am ready to go back to bed as soon as I can.