Categories
Aesthetics Culture Media

Day 2017 and Pangram Pansies

There’s a new genre of moralist who likes to shake their finger at you if they believe you’ve used artificial intelligence in the making or editing of your written product.

I find this particularly amusing because I was raised in a hippie family with all kinds of esoteric ideas on the importance of reading and being read to as a child, as well as the dangers of too much screen time.

I believe it served me well and panic essays in the Atlantic notwithstanding, my family was always a member of the reading class. They weren’t fancy but they loved books. We went to the library. My father always brought home a “dad book” after a business trip that he’d give me. Probably why I love science fiction so much as Michael Crichton was his favorite

My mother was more of a theorist and she didn’t hesitate to introduce theory into practice as I got older. Marshall McLuhan and Neil Postman were the stuff of dinner table conversation, although usually in reference to why I could not watch Star Trek later that evening. Sometimes she’d give in.

So when I say that I come by my need to write honestly, it’s because many of the startup families who believed both in the liberatory potential of computers and leans heavily on the “computer as a bicycle metaphor” in that computers are tools extending our capacity just as bikes extend the human range. Now here is a surprise for you I also using a dictation application right now. Oh no what purity test have I failed? None as far as I am concerned.

I rarely dictate because, generally speaking, this is a diary, which is, of course, the original form factor of blogging from the early days of chronological feeds and personal websites. It’s my space and I only cheat myself if I don’t use it to benefit my own understanding of my thinking.

What point would there be in mere dictation? That is for notes. Writing is one of the better methods through which you learn to analyze a subject. Others exist, but this can be done alone. Committing a thought to a public forum under one’s own name, even in a private blog, shows you taking accountability for thinking and learning.

I write a blog because I want to get my thinking on a subject down on paper. Maybe from there I either wish convince somebody else that I am right or find somebody else who share my interest on a particular topic. I do this for myself and also so others can know what I am about. Together we may learn something just as in the past peers exchanged letters. Or in my era, emails and message board responses

Back then, you might share particular esoterica or hobbies with others who might not have the same interest as you did because you lived in a small town or in a relatively remote area where nobody else had the passion that you did. For instance, say, libertarian space mining or Warhammer.

I know it’s funny that now I mostly talk about compute policy and nuclear energy along with musings on aesthetics, semiotics, geopolitical chatter and whatever the styles sections are up to when I remain such a nerd. But that’s why the internet is a human space in the first place.

So go ahead and see what parts of this look AI generated if you care. I used Wispr Flow. I have no idea how orality has made its way into my literacy. But by putting it out into the world, it becomes part of my written tradition, and maybe that’s useful someday.

Categories
Aesthetics Travel

Day 2010 and Jeep Rangling

I am going full weird Americana for the Forth of July in the mountains with friends . We are all committed to the beautiful wonders that is America as it is our natural beauty in the mountain west that feels right for celebrating our nation’s 250th birthday.

Being very in the moment means it’s hard to capture the moment. I’m in a Jeep Rangler going up one of the steepest graded roads in North America to the top of a ski mountain. I’m in a silk dress with a black baseball cap that says make nuclear great again and art deco costume jewelry. Just for fun because why not?

I hope it was reasonable dress code for a hoedown at a country club. I feel like I should be in cowboy boats, but not haven’t made it home to get any kind of riding boots so I’ll come as I am with a smile.

The alpine country in the summer lends itself to dressing a bit more country than city even with its evident creature comforts. I’m a townie from a mountain town so I can simply be eccentric. The counterculture of mountain towns is obvious to insiders but less to those who move in later in life.

I’ve been going between city, coastal and desert all within a month and I’ve not had space in my suitcase for cowboy boots. But I am glad I am able to enjoy the vista in any state. Who says silk and Jeeps aren’t a natural fit?

Categories
Aesthetics Media Travel

Day 2007 and Notes While Airborne on Condé Nast Traveler or My Life Commodified Without Pay

I wrote these notes while a little bit high, both literally (a transcontinental flight) and figuratively (CBD & a THCa blend meant to give anti-inflammatory relief without hitting your mind but it probably does) but it’s hard to say if I’m less focused than when I’m on the ground. You be the judge of that. Nostalgia machine clicks on

Business class and its perks are lost on me as I don’t drink alcohol. So I had rhubarb and raspberry tonic water in whatever passes for cut glassware on airplanes now. I said no at the fancy lounges to very decent champagnes but I don’t want to get dehydrated. I got a sugar crash instead.

I’m listening to Ethiopian jazz as I find this piece relaxing in the context of airplane travel. Mulatu Astake is a master in a genre I don’t even like but this particular piece has always spoken to me.

You may know it as it was featured in an episode of the Bear where a pastry chef is sent Copenhagen to study at maybe Noma. I’m annoyed that a cuisine and a composition I used for marketing fifteen years ago is now the stuff of prestige television. 

Nobody paid me for the diffusion but I was paid for the original campaign. A lesson for anyone bitching about how their work wasn’t compensated by the artificial intelligence models that ingested their contributions. 

I brought the chef for a pop up event for Club Monaco sometime in the early teens before he was a full blown sensation (and well before the fall).

How funny that I should manage a Club Monaco Facebook page involving a pop-up event for a chef that would go on to define so much of culture.

I worked with impossibly cool creative director on the account who was famous in Japan for his photography and also as the guy who made Pabst cool for hipsters. I sometimes wonder where he ended up when his talent set was so hype sensitive.  But we were pretty ahead of the times on this one.

Before this fashion agency career, in the post GFC aughts, lived across from a weekend installation of a projected light Pabst installation when I was in North 7th and Bedford.  My Turkish banker roommate and I used to throw raves there so we couldn’t exactly complain about the lights hitting our living room. But it was a good campaign in a good location.

I shot low budget fashion shoots during the day with a very competent hungry young editor. She worked as a waitress at night and for me during running our fashion editorial to get toehold in the business. It seems to have worked.

She has an amazing career, a handsome husband, a beautiful child and kicked it off with an impossibly stylish wedding which every hipster you knew copied till well past the Tommy Hilfiger event horizon of having no soul. We had a tortured Swedish nepo-baby photographer too.  I adored him. It was a very “rents were cheap” time in hindsight. 

Anyways, in transit through Heathrow, I picked up a raft of print magazines from the Cathay lounge which kicked off this nostalgia. I’d browsed Wallpaper but as I’m not a design person a flip through was fine.

The Cathay Delight is the same shade as this campaign from Van Cleef and Arpels.

But Condé Nast Traveler caught my eye as I went in to grab the pink Financial Times. I got Tattler as well as why else fly British Airways if you can’t get some gossip on this social hierarchy right?

It’s just that taste is so far down the commodity chain anymore it’d hard to know when and where to find any thing that’s not made to be sold to someone. The menu on my flight had basque cheesecake. That became a joke on a trip I threw together last minute for girlfriends in Corfu. Apparently it’s made it into the Club World menu much to its detriment. 

The choices from Condé Nast on a perfect summer was so on the nose. Montana’s Rocky Mountain sybarism and off the beaten path Adriatic and Ionian options for exploring covers and lots of seafood.

The whole damn thing reads like my travel itinerary.

Yeah that’s my coastal move with friends and family. And I do rather loudly live in Montana. It’s like am I joke to their psychographic team? A department that has three people no less. And they only market to women exactly like me. Funny that. I’ll have to check up on their old editor Lilit. She was much better than whatever this nonsense of repackaged Julie seems to be.

Categories
Aesthetics Politics Travel

Day 2006 and Shaking the Mars Underground

I’m in a private terminal in a tier three European capital, as I begin the long transit back to the remote regions of America’s effort to reboot our lost industrial capacity. I am ready to celebrate our 250th birthday.

All this can be yours if you pay a few backs to cut the line in the former eastern block

You will find me in the desert trying to convince anyone who will listen of the many industrial and environmental benefits of nuclear energy. Might you be interested in particular of the learning we gain from repeatedly making thousands of small modular nuclear reactors? Scale baby scale.

I’m team Valar Atomics or bust, but I know it won’t be a bust as we have just had a race to criticality that half a dozen companies will meet for July 4th. And what better birthday present to give Lady Liberty?

“When you have the will of federal policy and the will of the people, these things can absolutely happen.”

The artificial intelligence intelligence revolution pretends we still have the height of America’s wartime Industrial & Management Revolution capacity for the build out still available within America’s heartland.

We don’t but I believe despite the bread & circus it might be possible. Lord knows we are trying to get back up and going. Just look how quickly we got our nukes back up in just one year.

Yes we got algae bloom sabotage on the bloom in DC, UFC fights on the White House lawn and some bizarro corruption but at least we aren’t having a Flamingo Revolution of Zoomers rebelling against oligarchs skimming too much from corrupt socialists who need to revamp their attitude. The Geopolitical Cousints get what I’m saying right Marko?

I rewatched season three & four of Apple’s For All Mankind alternative history of the space race as a hype effort to remember that we did indeed have other options for our near future and as the Abundance Institute reminded us all mere month’s ago history is giving us a second chance.

Don’t worry Barbara Kruger we aren’t a ridiculous clusterfuck of uncool jokers even if the Supreme kids were. OK we aren’t cool but clean renewable energy is actually hot

I discovered a new genre of Euro-disco meets steel guitar America country about Mars mining underground. Line dancing Euros asking for space mining? Fuck I’m absolutely for the Mars underground.

The Blue Sphere Transmission” is an electronic, modern-disco track by MelodiZenith that blends nostalgic 80s Eurodance rhythms (reminiscent of Bad Boys Blue) with deep house and synthwave. 

Line dancing Euro-Disco Italian Pop on Mars? Now that’s a future I can get behind powering with SMRs by Valar

Mars will indeed be dancing. So let’s hustle up and get our little rawhide to space. Come on America “why don’t you do right? Get out of here and get me some money too!”

Julie gets what she wants. So be like some other men do. I’ll catch you after the nukes to live

Categories
Aesthetics Travel

Day 1977 and Summer Whites

Fashion rules are not hard rules. Soft rules apply to soft people who lovingly break them if something better would liven the mood. Being mercurial is a delight for them.

Soft rules do bind some people though. That’s the old canard about conservatism.

Conservatism consists of exactly one proposition, to wit: There must be in-groups whom the law protects but does not bind, alongside out-groups whom the law binds but does not protect. Frank Wilhoit

If you take the above statement at face value it makes for interesting thought experiments. Is the fashion industry is a conservative industry? Why then does it present to some as an entirely progressive culture? Fashion scholars could go on at length.

And this cultural rules exist ,about when to wear white that no one follows except those who are fearful enough to have it forced on them.

I am on an island after Memorial Day so I’m well into wearing white territory. No white before Memorial Day or after Labor Day isn’t enforced now in any meaningful sense but years after late‑1800s upper‑class habits dictated a practical, status‑signaling summer color meant for seaside or country time which were put away when people returned to sootier cities in fall.

At least I hope you aren’t somewhere covered in soot in either winter or summer. I myself am in full costal grandma regalia from white cotton pants to summer weight cashmere. Isn’t it absurd we have summer weight wools? It should really be a tee shirt but like I said soft rules for soft people.

Pools on pools
Categories
Aesthetics Culture Reading

Day 1960 and Return to Tufte

The more power we seem to gain working with large language models, the more apparent it is that few of us are visually literate in a meaningful way. When you hear talk about design, it is all too often moods and vibes with no specifics.

Now, you might say that you know what you like when you see it. That’s also how we let the Supreme Court talk about porn. Clearly untangling the weft and weave of taste (and by extension culture) can be further articulated rather than relying on subjective, non-definitional standards.

How you came to your visual reference preference set is quite a bit more complicated than whatever pre-digested piece of media came across your algorithmic feed.

You can explore design languages from one token to the next, but visual literacy involves a lot more than scrolling or confirming you’d like to see more content “like this.”

When I first began circulating in design circles in the early aughts, the hipster set was obsessed with Edward Tufte and his now classic Visual Display of Quantitative Information.

Edward Tufte taught data analysis and public policy as a professor at Princeton and Yale for 31 years.

Tufte, via his Graphics Press, wrote, designed, and self-published 5 books on analytical thinking and showing, taught a one-day course, Presenting Data and Information for 923 days to 328,001 students.

Who knew Tufte and I both shared a love of marking the days of our work? He influenced many more people than I have but I find some joy in that coincidence.

His most referenced work, which I mentioned above was published in 2001. Visual Display of Quantitative Information was on the desks of everyone designer I knew, from fashion and Silicon Valley to public policy it was a mainstay. The man knew how to lay out information visually and he became the standard.

Some of Tufte’s self published tomes

The long tail of enthusiasm for displaying data beautifully surely owes its ubiquity in some part due to his success in teaching my generation’s designers.

He’s became for a period so universally referenced that Tufte became a cliche. Now he’s classic a quarter century later. His work arguably as successful as a visual language reference anchor as bookshelf favorite, “The Design of Everyday Things” by Donald Norman. His work is also denigrated as cliche in some circles.

The Design of Everyday Things second book cover

Both men offered clarity and practical principles over taste and theory. Those academic predecessors befuddled many who experienced aesthetics primarily through semiotics and critical theory. It felt revolutionary to return to form and function

You “Kant” really learn to love the languages of aesthetics from theory alone as it turns out. I’ll place a little AI synopsis to make the connection clear. This is from Perplexity:

Someone might relate to the popularity of Edward Tufte and The Design of Everyday Things as part of a broader hunger for clarity over clutter in how information and objects are presented.

Tufte’s work is influential because it treats visual design as a serious vehicle for understanding data, while Norman’s book argues that everyday things should be intuitive, legible, and centered on the user.

A Tufte-style chart removes decoration so the trend is easy to read, while a Norman-style kettle shows clearly how to fill it and pour it without guessing.

Both are forms of respect for the user: one respects the reader’s attention, the other respects the user’s actions.

Learning how to use an item or a tool, or how to interpret charts or graphics, can easily overwhelm anyone and feel disrespectful to students. A whole era of computing was stuck between the power of the command line and the legibility of the desktop metaphor.

Norman spoke of the Gulf of Execution as the gap between a user’s goal and the means to execute that goal. Tufte similarly wished to remove the confusion in charts and graphs so one’s ability to glean information wasn’t stuck in a gulf of understanding thanks to overwrought bar chart or sankey diagram.

With new artificial intelligence tools we are bridging some of that gap, not with design but with raw computing power. We are moving beyond the CLI and the desk and into a world of reference and inference.

I just hope we all take the time to learn our reference set so we can do more than say “I know it when I see it” as that will be our only way across the gulf of execution. Some things never change. Learning the languages of your field is one of them.

Categories
Aesthetics Culture

Day 1959 and Chambre Syndicale

I’m in my luteal phase so primed to be grumpy, frumpy and otherwise combative. You’d think this wouldn’t be an issue as I’m currently experimenting with synthetic hormones and all sorts of experimental peptides but the feminine is a mystery.

Thankfully this cunty attitude had a positive side effect of spiraling me into a group chat debate over what constitutes couture. Haute couture literally means “high sewing” or “high dressing making” in French.

I just had to be technically correct as it’s the best kind of correct. I only know as once upon a time I picked a fight with Fédération de la Haute Couture et de la Mode aka La Chambre Syndicale as old school fashionistas tend to still call it.

I may have done a kind of DDOS (allegedly) on their publicity fax machines to get their attention to further my guerrilla reporting efforts. They were not amused by the chron job I set to send them regular faxes at specific intervals. Anyways.

The TLDR is essentially that what constitutes couture is a bit like champagne. It only counts if it’s from the ateliers of Paris with very specific artisans (and a number of them) using hand sewn techniques which sell only to private clients with custom fittings. They then approve your atelier if you meet these standards.

Couture is not custom made clothing nor is it a form of luxury determined by price or self labeling. And it is definitely not “ready to wear” clothing you can buy off the runway. If an elaborate dance of craftsmanship and French bureaucracy. As an American I find it a bit silly but I don’t care for cartels of any kind be it drug, oil or clothing.

Many designers will try to get away with calling a custom made item couture in order to ride on the 170 year aura of French fashions but it’s not really what is meant by couture and it’s absolutely not what is meant by haute couture.

You don’t see Savile Row tailors calling themselves couture designers nor should they. That would be silly and imprecise. They are Savile Row tailors and that’s its own special custom suiting process.

Being imprecise in one’s specifications is exactly the opposite of what you’d want from someone making you a custom wardrobe based upon nearly two centuries of a professional cartel’s specifications.

So please don’t call something couture as a short hand slang for custom design. It may be ready to wear. It may be tailored to you. But only those who meet the standards of the Chambre Syndicale carry the designation haute couture. Otherwise it’s just sparkling custom made clothing.

Categories
Aesthetics Culture

Day 1951 and Melt Downs

Meltdowns seem to be a going thing at every layer of human interaction. Something in consensus reality slips, a schism arises and then you have to hard tap at the glass to decide to see if it’s a mirror.

In preparedness communities they talk about “normalcy bias” as the preference of individuals to avoid looking at a problem straight on. Adjusting to bad news is like grief. It has some steps.

I think that it’s relatively clear to anyone watching that the world is in a particularly malleable place. Old assumptions about institutions and power are tested.

I think it’s never been easier to have your grip on reality rocked. We are all getting rocked daily by meta-narratives and players of games because the internet is a sea of competing games and stories.

Maybe that level of instability is too much to manage for any of us so we install pressure sensors and we let off steam and we carry on with whatever seems manageable. So someone has a meltdown. Seems to be going round.

Categories
Community Politics

Day 1949 and Swimming in the Contextless Sea Beyond The Dock At The End of History

There is a popular theory that Zoomers and Alphas are struggling with temporal context in culture because their consumption of culture is decoupled from the context in which it was made and consumed. It’s all one long scroll without the punctuations of reality.

The general theory goes that post internet generations see niche algorithm-driven content rather than say cultural or historical touchstones. Past touchstones might have unified past generational experiences.

I don’t know if unified experienced are all good. Sure all of the Boomers have heard the Beatles but all millennial woman recall tabloid headlines about Britney Spears getting fat. The water we swim in can be hard for us fish to spot.

If the younger generations have a problem, it’s being far too unified in their experience of their global position. The pandemic was a surprisingly effective reboot of expectations for all of us. But the older you were the easier it was to contextualize the impact of the pandemic across your entire life.

We all ran a dress rehearsal for collective responsibility at global scale And depending on your personality, you were funneled into perspectives you preferred.

So you saw us either shoulder or shirk responsibility. Not that other generations haven’t had to do some version of this, but being able to see it at networked global scale seems to have done something to the capacity to see the future.

You swim in a sea of history and at any point you can get out of the water. But you jumped off the dock is at the end of history so you can see how getting out might be a problem.

McWorld triumphed over Jihad right? But that is content for a paid Substack where Fukuyama and Zizek both still write. It must have been more convincing in hardcover.

Categories
Aesthetics Internet Culture

Day 1938 and ChatGPT 2.0 Image’s Mood Board Mania

Every time a new AI image generation model comes out, there is a wave of people creating new content riffs inspired by their friends testing out the newest capabilities.

Yesterday OpenAI released ChatGPT Images 2.0 which is tool powered by the gpt-image-2 model designed as a “visual thought partner.

It is pretty fun to play with if you have even the slightest design or visual vocabulary to work with. Or even just a couple cool selfies.

No need to focus on regulatory capture politicking, compute shortages, geopolitical drama or shipping choke points when you can create cute social media content right? Screw a grey zone informational wars (or even a hot kinetic one) girls just want to be remade as a fairy princess science or as Studio Ghibli character.

So what’s the next trend? My feed produced a wave of mood boards with color theory, swatching, fabric pins, makeup stories, hairstyles, other mood board elements that combines everything from descriptive prose to capsule wardrobes. And all this from a a couple of basic uploaded photos and some simple prompts.

I choose the below images and said “do a color analysis of the woman in this picture including best colors, makeup choices, hair choices, style options and create a mood board with outfit inspiration, prints that work, accessories and other details”

From there it spat out a long analysis which I will post below. I then asked that analysis to be mocked up in a mood board based on the look and feel of the images with the descriptions from the analysis. And I’m not going to lie it’s pretty good and clearly ChatGPT can smell the Ann Taylor on me. I mean, umm, it can tell I spent time working for some of best known American heritage retailers.

Now it gets weirder the more you try to edit it. The slow warping of my face from my own to I’m going to say Sheryl Sandberg is a little unsettling. But I do wear a lot of silks and prefer greens and browns though I am often a little black dress defaulter.

Now I just went through an enormous exercise in which I tried to find a television and camera ready foundation where other models were sure I was a soft autumn but a soft summer isn’t all that far off.

And I appreciate the buttering up OpenAI does with their quiet luxury spiel. I’m more of an Italic luxury buyer and a Quince if I’m feeling like a gamble. But somewhere back before all this inflation I for sure was the kind of girl who wore chunky antique vermeil accessories and never turned down a nice olive green.

This is a great set of photos for analysis—different lighting, styling, and contrast levels make it much easier to see your natural coloring clearly.

🎨 Overall Color Season: Soft Summer (leaning Neutral-Cool)

You sit in that refined, muted, slightly cool palette with:

  • Low-to-medium contrast (your features blend rather than sharply contrast)
  • Soft, diffused coloring (nothing overly bright or high-chroma)
  • Neutral-cool undertone (pink in the skin, but not icy)

You can borrow slightly from Soft Autumn (especially olive/green tones), but your best looks are cooler and more muted.


🌈 Best Colors for You

✅ Core Palette (your power zone)

  • Dusty rose, muted mauve
  • Soft plum, blackberry
  • Blue-gray, slate, steel blue
  • Sage, eucalyptus, muted olive
  • Taupe, mushroom, cool beige
  • Soft navy (not inky or harsh)

⚠️ Approach Carefully

  • True black (can feel a bit heavy—your blazer photo shows this slightly)
  • Bright white (too stark—soft ivory is better)
  • Bright jewel tones (too high contrast)

🚫 Avoid

  • Neon anything
  • Super warm oranges/yellows
  • High-contrast combos (black + white, etc.)

💄 Makeup Direction

You look significantly more harmonious in the softer, diffused look (photo 1 and 3 vs the sharper blazer look).

Skin

  • Light to medium coverage with a natural or satin finish
  • Avoid overly matte—your skin looks best with a bit of life

Blush

  • Rose
  • Soft berry
  • Muted pink (what you’re wearing in photo 1 = excellent)

Lips (this is your strongest feature zone)

  • Rose gloss (photo 1 = perfect)
  • Mauve nude
  • Sheer berry stains
  • Avoid: orange-red or overly brown lipsticks

Eyes

  • Taupe, mushroom, soft plum
  • Cool brown instead of warm bronze
  • Soft liner (charcoal > black)
  • Mascara: brown-black ideal

💇‍♀️ Hair Analysis

Your natural coloring works beautifully—this is key.

Best Hair Direction

  • Neutral to cool brown
  • Slight ash or soft cocoa tones
  • Subtle dimension (very blended, not high contrast)

Avoid

  • Golden highlights (too warm)
  • Very dark/black dye (overpowers you)
  • High-contrast balayage

Styling Note

You shine with:

  • Soft movement
  • Natural texture
  • Slightly undone polish

👓 Glasses (important win here)

The black frames:

  • Add structure (good)
  • But slightly overpower your softness

Try:

  • Soft charcoal
  • Translucent gray
  • Muted tortoiseshell (cool-toned)

👗 Style Essence + Mood

You read as:

Soft Minimalist + Intellectual Romantic

(very understated, very intentional, very modern)

Think:

  • Quiet luxury
  • Slightly academic
  • Soft structure, not rigid tailoring

🧥 Outfit Direction

Silhouettes

  • Fluid tailoring
  • Draped fabrics
  • Soft blazers (less sharp shoulders)
  • Relaxed but intentional lines

Fabrics

  • Silk
  • Fine knits
  • Matte satin
  • Soft wool
  • Avoid stiff, shiny synthetics

🧵 Best Neutrals (your wardrobe backbone)

  • Mushroom
  • Cool taupe
  • Soft navy
  • Dusty olive
  • Muted charcoal (instead of black)

🌿 Prints That Work

Because your coloring is soft, your prints should be too:

✅ Ideal

  • Blurred florals
  • Watercolor patterns
  • тонal (low contrast) stripes
  • Soft geometrics

🚫 Avoid

  • High-contrast graphic prints
  • Sharp black/white patterns
  • Loud, busy designs

📌 What Your Photos Show (Specific Feedback)

Photo 1 (window light, glasses)

Best overall look

  • Soft pink lip = perfect
  • Brown shirt = harmonious
  • Natural light = confirms your muted palette

Photo 2 (black blazer)

  • Black is wearing you slightly
  • More contrast than your features naturally support
  • Makeup slightly sharper → less aligned with your softness

Photo 3 (relaxed, green tone)

  • Muted green = excellent
  • Skin looks balanced and even
  • This palette direction is very “you”

🧭 Style Keywords (use these when shopping)

  • Muted
  • Soft
  • Washed
  • Dusty
  • Neutral-cool
  • Blended
  • Understated