Categories
Aesthetics Startups

Day 2022 and Let’s Dance Quince

I have complained in the past about the slow degradation of quality standards in contemporary fashion and the negative consequences it has had on quality for consumers who are not in the top half of the K-shaped economy.

The shrinkflation and reformulation that’s rampant in food has hit clothing quite hard. And has made much easier to justify simply buying fast fashion that’s disposable simply because the quality bar for even beloved basics like L.L Bean has gone down.

I actually sent a note to the Chief Merchandising Officer of Gap, who, of course, did not email me back, about the loss of a particular pair of basic straight-leg black cotton sweatpants. I asked if it was possible to bring it back, as I had discovered a number of other internet complaints about its discontinuation.

The sweatpants had cost somewhere in the realm of $30 for a decade, I owned at least a dozen, and have now worn them all out entirely. They were cotton with just a hint of elastane, very lightweight, and the ideal pant for sleeping and home wear.

Now you find pants that are 30-40% plastics of various blends that promise super soft or super drape-y silhouettes consumers don’t know or even mind that the clever branding of “scuba” pants is just marketing for thick polyester knits.

I’m not against some of it. Somewhere between 2% and 5% works just fine for most fabrics, but I’m up to 10% for some garments as I’ve got boobs to work around. However when things are close to your body, particularly in the intimates category, 100% cotton is absolutely my standard.

To be clear, I have no problem with technical fabrics and am a great fan of innovators in that space, from Uniqlo to Norma Kamali, both of whom I wear. I do care about using the best possible quality in any given category. I also look for that in my wool, silk and leather goods.

This is all a somewhat elaborate setup for the fact that, having been sick in bed for the last week or so, I spent a lot of time browsing Quince.

I have not successfully found garments from them to work, though as a regular reader of things like Wirecutter and The Strategist, I notice when their items get put on lists. Or when people are skeptical of its promise.

The idea that you should be able to get something high quality and tasteful is, alas, becoming a luxury. Even when you spend full freight. A Substack called Magasin today seemed excited when most pieces were “under a thousand” when despite doing alright, I am entirely an under $300 shopper for most items. Coats and bags I’ll go higher but I’m not crossing a thousand. I’m from the industry I know what this costs thanks.

I am also no stranger to the direct-to-consumer world. I was a long-time shopper of Everlane as their founding team was close to me. I’m also a big fan of previous attempts in the category, like Italic, to bring the factories that we in the fashion industry know so well closer to the consumer.

However, I don’t think any of us expected the category winner Quince. That we would get one giant sourcing machine whose entire philosophy appears to be that merchandising is unnecessary. They will allow whatever the market pulls forward. On to the website and take customer demand pulls from there.

Which I suppose I’m going to have to get used to, because why hire a merchandising team when you can just make the market do it for you? Unfortunately, the market isn’t always as good at the job as somebody who is actually a capable market editor or a top merchandising manager. It’s maddening for many consumers to have no sense of quality, fit, style, color or other characteristics we might like from an online retailer. And yet here we are.

So I did something insane. I went through the entire women’s section of Quince. I scrolled through shirts, skirts, pants, dresses, sweaters, blazers and layers, accessories, hand bags and shoes. I didn’t set out to do it as I just added on what I thought might work for me to see if this was part of the appeal. The sense of hope was always there but it was easy to spot where corners had been cut and the reviews are often hit or miss unless it’s a definite best seller.

I ended up selecting what I thought would be a comprehensive capsule wardrobe for what fashion calls pre-fall. It’s the maddening middle season where you have to layer but it also can get very hot.

Sixty nine items culled from mid July Quince I could see being useful in the next quarter.

We will see if I can reconstruct a capsule wardrobe from what is merchandising that has no sense of what will fit, what will flatter, how consistent their sizing will be, how consistent the quality will be, or if entire categories will fail me.

Now some categories are heavier weighted as I’m trying a lot of bags and travel. Some are light like shoes as I have basics from actual functional fashion lines from my past but I’ll try these out. I don’t know what fabrics will flatter in what cuts so I got multiple colors but if it doesn’t fit I am likely a full pass as I don’t want to double the order with sizes so if it fits I sits.

Categories
Politics

Day 1922 and Toilet Humor

I’d like to have something positive to say today about the Artemis II mission, going further than we have traveled into space than ever before but it’s much too hard to pay attention to expensive achievements by NASA when your pale blue dot seems set on imploding itself, fourth turning style. But I’m always here for a joke about how we can’t engineer a toilet for zero gravity.

All anyone in finance can talk about is the short seller research firm Citrini that sent analysts to the Strait of Hormuz, only to discover via the mysterious analyst 3 that actually plenty of shit is getting through as long as you pay a toll to the militants holding it hostage, which plenty of people who are desperate for oil are absolutely doing. I am SHOCKED well not shocked exactly.

Meanwhile the Easter Bunny stares into the middle distance as an old man threatens another gerontocracy with obliteration. Not to put too fine a point on it but everybody is going to suffer no matter how this turns out.

And we wonder why Zoomers are all reactionaries. Gee, their older millennial siblings couldn’t possibly have any experience in these matters, could they? Doesn’t matter. They aren’t going to ask us even if we have actually lived through this entire charade once before.

Incidentally has anyone checked in on Condoleezza Rice recently? Seems like she might have something valuable to add here.

Categories
Aesthetics Internet Culture

Day 177 and Unaesthetic

Aesthetics are opinions. And opinions are totalizing. I’ve been on some bullshit recently about how taste is totalitarian. Mostly because I care about how aesthetics turn into politics. But aesthetics are almost always personal choices (except our biology which is another discussion entirely) which gives them wide latitude to be all encompassing.

That aesthetics are choices matters. We choose to articulate our aesthetics. If our tools have the capacity to articulate an aesthetic vision with clarity and fidelity it’s often been the choice of artists to render their vision closely to what is in their mind’s eye. Or sometimes we say fuck it, who cares, there is virtue going in the other way. I’d argue that is unaesthetic.

A deliberate decision to eschew aesthetics is literally the definition of unaesthetic. It’s not an insult. It’s just a choice. If we can tell something is a deliberate choice to pursue an aesthetic that is unappealing, unpopular, ugly or otherwise thumbing its nose its nose at beauty that is unaesthetic. Which is its own aesthetic. And it’s fine for that to be your taste but it is a taste.

Normative standards and boundaries are powerful. So rejecting them has become own own artistic and culturally pursuit. It’s become so popular “punk is dead” has become a layered insult.

Modernity has been on about how the search for universals of beauty is both hegemonic and homogenizing for most of the last century. That means everyone has to have the same standard and because we have the same standards we all tend to look alike. Think Stepford Wives or South Korean beauty pageant queens.

Understanding and telegraphing cultural norms of beauty is generally considered crucial for social competence and often for participation in any group. Think of how awkward it is to wear a suit into a startup or not wearing any makeup for sorority rush.

Sometimes I think beauty and aesthetic standards wish they were as totalitarian as technology. Protocols are literally limitations on what can and cannot be done. 8Bit and pixel art were originally protocol standards. What could be rendered wasn’t a limit of imagination but our tool sets. That’s why we obsessed on rendering and fidelity for so much of the history of computing. We’d say shit like “look how crisp” and we’d mean it.

That’s not true anymore. If anything we’ve got issues with too much fidelity. The uncanny valley of hyper reality upsets our mind because it’s hyper real. Aesthetics now has to cope with the ability to render even the most elaborate vision to exact reality. Now that’s a cool problem. But if you want to sell pixel art, call it punk, and tell me it’s actually a cool commentary on protocol limits that’s fine. But I’m going to call it unaesthetic. But it’s not worth being insulted about.

Unpopular take but crypto punks are unaesthetic