Categories
Aesthetics Culture Reading

Day 1960 and Return to Tufte

The more the power we seem to gain working with large language models, the more apparent it is that few of us are visually literate in a meaningful way. When you hear talk about design, it is all too often moods and vibes with no specifics.

Now, you might say that you know what you like when you see it. That’s also how we let the Supreme Court talk about porn. Clearly untangling the weft and weave of taste (and by extension culture) can be further articulated than through subjective, non-definitional standards.

How you came to your visual reference preference set is quite a bit more complicated than whatever pre-digested piece of media came across your algorithmic feed.

You can explore design languages from one token to the next, but visual literacy involves a lot more than scrolling or confirming you’d like to see more content “like this.”

When I first began circulating in design circles in the early aughts, the hipster set was obsessed with Edward Tufte and his now classic Visual Display of Quantitative Information.

Edward Tufte taught data analysis and public policy as a professor at Princeton and Yale for 31 years.

Tufte, via his Graphics Press, wrote, designed, and self-published 5 books on analytical thinking and showing, taught a one-day course, Presenting Data and Information for 923 days to 328,001 students.

Who knew Tufte and I both shared a love of marking the days of our work? He influenced many more people than I have but I find some joy in that coincidence.

His most referenced work, which I mentioned above was published in 2001. Visual Display of Quantitative Information was on the desks of everyone designer I knew, from fashion and Silicon Valley to public policy it was a mainstay. The man knew how to lay out information visually and he became the standard.

Some of Tufte’s self published tomes

The long tail of enthusiasm for displaying data beautifully surely owes its ubiquity in some part due to his success in teaching my generation’s designers.

He’s became for a period so universally referenced that Tufte became a cliche. Now he’s classic a quarter century later. His work arguably as successful as a visual language reference anchor as bookshelf favorite, “The Design of Everyday Things” by Donald Norman. His work is also denigrated as cliche in some circles.

The Design of Everyday Things second book cover

Both men offered clarity and practical principles over taste and theory. Those academic predecessors befuddled many who experienced aesthetics primarily through semiotics and critical theory. It felt revolutionary to return to form and function

You “Kant” really learn to love the languages of aesthetics from theory alone as it turns out. I’ll place a little AI synopsis to make the connection clear. This is from Perplexity:

Someone might relate to the popularity of Edward Tufte and The Design of Everyday Things as part of a broader hunger for clarity over clutter in how information and objects are presented.

Tufte’s work is influential because it treats visual design as a serious vehicle for understanding data, while Norman’s book argues that everyday things should be intuitive, legible, and centered on the user.

A Tufte-style chart removes decoration so the trend is easy to read, while a Norman-style kettle shows clearly how to fill it and pour it without guessing.

Both are forms of respect for the user: one respects the reader’s attention, the other respects the user’s actions.

Learning how to use an item or a tool, or how to interpret charts or graphics, can easily overwhelm anyone and feel disrespectful to students. A whole era of computing was stuck between the power of the command line and the legibility of the desktop metaphor.

Norman spoke of the Gulf of Execution as the gap between a user’s goal and the means to execute that goal. Tufte similarly wished to remove the confusion in charts and graphs so one’s ability to glean information wasn’t stuck in a gulf of understanding thanks to overwrought bar chart or sankey diagram.

With new artificial intelligence tools we are bridging some of that gap, not with design but with raw computing power. We are moving beyond the CLI and the desk and into a world of reference and inference.

I just hope we all take the time to learn our reference set so we can do more than say “I know it when I see it” as that will be our only way across the gulf of execution. Some things never change. Learning the languages of your field is one of them.

Categories
Reading Startups

Day 1911 and The Perils of Going Native

Being old means having lived through a lot of “paradigm” shifts. There is always a trend. Consumer designer in enterprise software. Mobile first. Behavioral economics. New payment rails. Crypto native.

Things of that nature move across the baseline from exciting to standard to lawsuit to just another option in the tool box.

I began blogging early enough that I started with a friend hosting a content management system for my own domain that I primarily used through a web browser in my computer. Now I write entirely on my mobile phone.

A lot happened in between. I used microblogs and Instagram until Tumblr died and short form video rendered Instagram, TikTok, & YouTube shorts a biohazard for attention spans.

Not that I have any moral high ground here, like many geriatric millennials, I am a Twitter power user. I poast a lot. How do you think I ended up a crypto native? My fellow degenerates are now mostly grown up but we are still on Twitter.

Unpopular as the opinion may be, I think written content will always be the least destructive platform for me. Twitter is just about poasting. A place to practice bits and sharpen wire.

I like Twitter and this blog because I pretend there isn’t an audience. Influencer? Couldn’t be me. If an audience exists it’s because I’m talking out loud and when people write back so do I.

The stasis of being platform native is hard as you must always be patient enough to begin a new workflow (yes we are all playing with agents). I think it’s even harder to go back to another workflow or past form factor. I am not nostalgic for long hours on a computer screen.

I’ve mentioned it in complaints before but Substack doesn’t have a usable mobile content management system. WordPress does. Guess where I write everyday without a second thought? I have become mobile only because once it was mobile first. I’m wearing a Facebook hoodie while I write this.

Admitting that I am mobile first and that it’s the main blocker in me maintaining my beauty writing project Nice Packaging is embarrassing. I write on my phone and Substack just doesn’t support it and I’m failing in putting out a ron of content I like to make because it’s too uncomfortable to sit in front of a screen for a few hours.

Presumably I can find a work flow. I can yap into WhisperFlow and run a video application and upload whatever comes from that so long as I can figure out some automation on linking and cutting up content but it seems feasible enough.

I can’t let old habits die hard. Or maybe it’s that I need to bring back those old habits with new tools. Either way I better talk more about beauty before it embarrasses me that I’ve not managed the workflow.