Categories
Aesthetics Culture

Day 2014 and It Feels Like 2014 All Over

The beginning of the post Great Recession (or The Global Financial Crisis) recovery was just getting traction in 2014, not so much that everyone you knew felt like their goal in life was to become a product manager at Meta or Google.

And this turning point provided a surprising amount of freedom to try to turn an aesthetic into a business. Previously most were happy with an advertising campaign from a big brand and now every constituent part is its own fully monetized subculture.

Money was being thrown at any authentic form of culture that could be commoditized during turn Zero Percent Interest Rate phenomena years. I didn’t know it then but everything I considered to be the day to day culture of my friends was about to be hovered up first by venture and then by private equity and turned brands.

Coolhunters didn’t sell out they were eaten by the inexorable logic of attention economies. More than one Style Forum guy has gone on to success. One of them even runs national security now. No really.

Just as an aside, Freeman’s is still a thing and the New Musuem is involved. Some fashion substack (that is hired an editor who used to run fashion blogs) alerted me to this fun fact. I genuinely feel for folks in fashion as it feels as if culture has simply devoured itself orosbourus style into a null space.

In a post chronological world at the end of history style has nothing to do but recycle drink ideas and how tight or baggy a pant is will determine your swag within your very specific age bracket and algorithmic context.

I’m very grateful I’m not an Instagram addict (just a Twitter one but hey that’s part of my work right?) as I dread the all encompassing algorithmic cycle. Today’s podcast viral hit with Jeremy Giffon reminds us if it is important it will reach you.

And I agree. Being cool has always meant doing your own thing. And we are all just here to be entertained. From Gladiator to Accellerando, our lightcone demanded to be entertained.

So as I flip through Substacks of Condé Nast defectors I feel like they are stuck in my past. Substack works is mostly packaging takes and have yet to package what a crisp market editor would deliver me once a month from the old guard even if it’s already my summer itinerary.

Honestly the first generation of beauty bloggers giving product reviews. What are we even doing anymore? Ipsy turned a YouTuber into a makeup sampler and Allure turned into self into a sampling service. Albeit the best of the sampling services, but still who are we even meant to trust anymore?

Maybe that is why the only style anyone can ever really have honestly comes from study of themselves and their life. What is empathy of not conform to the rules that help make others feel at ease. Manners are after all, meant for the comfort of others not yourself. I am sure that can make it very tempting indeed to only say nice things. Which should be easy as editor of taste. Only tell us about the good stuff.

Categories
Aesthetics Culture Reading

Day 1960 and Return to Tufte

The more power we seem to gain working with large language models, the more apparent it is that few of us are visually literate in a meaningful way. When you hear talk about design, it is all too often moods and vibes with no specifics.

Now, you might say that you know what you like when you see it. That’s also how we let the Supreme Court talk about porn. Clearly untangling the weft and weave of taste (and by extension culture) can be further articulated rather than relying on subjective, non-definitional standards.

How you came to your visual reference preference set is quite a bit more complicated than whatever pre-digested piece of media came across your algorithmic feed.

You can explore design languages from one token to the next, but visual literacy involves a lot more than scrolling or confirming you’d like to see more content “like this.”

When I first began circulating in design circles in the early aughts, the hipster set was obsessed with Edward Tufte and his now classic Visual Display of Quantitative Information.

Edward Tufte taught data analysis and public policy as a professor at Princeton and Yale for 31 years.

Tufte, via his Graphics Press, wrote, designed, and self-published 5 books on analytical thinking and showing, taught a one-day course, Presenting Data and Information for 923 days to 328,001 students.

Who knew Tufte and I both shared a love of marking the days of our work? He influenced many more people than I have but I find some joy in that coincidence.

His most referenced work, which I mentioned above was published in 2001. Visual Display of Quantitative Information was on the desks of everyone designer I knew, from fashion and Silicon Valley to public policy it was a mainstay. The man knew how to lay out information visually and he became the standard.

Some of Tufte’s self published tomes

The long tail of enthusiasm for displaying data beautifully surely owes its ubiquity in some part due to his success in teaching my generation’s designers.

He’s became for a period so universally referenced that Tufte became a cliche. Now he’s classic a quarter century later. His work arguably as successful as a visual language reference anchor as bookshelf favorite, “The Design of Everyday Things” by Donald Norman. His work is also denigrated as cliche in some circles.

The Design of Everyday Things second book cover

Both men offered clarity and practical principles over taste and theory. Those academic predecessors befuddled many who experienced aesthetics primarily through semiotics and critical theory. It felt revolutionary to return to form and function

You “Kant” really learn to love the languages of aesthetics from theory alone as it turns out. I’ll place a little AI synopsis to make the connection clear. This is from Perplexity:

Someone might relate to the popularity of Edward Tufte and The Design of Everyday Things as part of a broader hunger for clarity over clutter in how information and objects are presented.

Tufte’s work is influential because it treats visual design as a serious vehicle for understanding data, while Norman’s book argues that everyday things should be intuitive, legible, and centered on the user.

A Tufte-style chart removes decoration so the trend is easy to read, while a Norman-style kettle shows clearly how to fill it and pour it without guessing.

Both are forms of respect for the user: one respects the reader’s attention, the other respects the user’s actions.

Learning how to use an item or a tool, or how to interpret charts or graphics, can easily overwhelm anyone and feel disrespectful to students. A whole era of computing was stuck between the power of the command line and the legibility of the desktop metaphor.

Norman spoke of the Gulf of Execution as the gap between a user’s goal and the means to execute that goal. Tufte similarly wished to remove the confusion in charts and graphs so one’s ability to glean information wasn’t stuck in a gulf of understanding thanks to overwrought bar chart or sankey diagram.

With new artificial intelligence tools we are bridging some of that gap, not with design but with raw computing power. We are moving beyond the CLI and the desk and into a world of reference and inference.

I just hope we all take the time to learn our reference set so we can do more than say “I know it when I see it” as that will be our only way across the gulf of execution. Some things never change. Learning the languages of your field is one of them.

Categories
Aesthetics Internet Culture

Day 1803 and Anemoia

You know I am old as I just don’t consume or create short form video content. Every new trend that filters to me on Twitter or on my reader feeds presents as sadness to me. I don’t fully understand them and probably never will.

The newest TikTok trend involves Zoomers pretending to be happy millennials in 2012 Williamsburg Brooklyn. They romanticize millennial optimism as unpolished and carefree for some sort of shared but unreal nostalgia for pre-gentrification Brooklyn.

I left Williamsburg in 2010 for Manhattan’s Chinatown as even the south side past the JMZ had become too expensive. The loft I shared above Future Perfect on North 8th and Berry was getting expensive on just the other side of the Great Recession. It was a loud place to live and a lot of fun but I needed a lease with my name on it and prime Williamsburg wasn’t it in 2012.

I wasn’t in a position by 2012 to buy an apartment but neither did I have any debt. So I’m sure that made me better off than the Zoomers coveting my life just before New York would go ZIRP. Not making a fortune wasn’t too bad when you could still enjoy a lot of hipster consumer choices.

You can’t blame the Zoomers for feeling like today’s economic volatility and social fragmentation makes our “before times” life look relatively utopian.

Michael Milaflora brought to my attention Gen Z’s “anemoia” which is a broader trend. A 2023 study in Emotion journal found 68% of young adults report nostalgia for past decades they didn’t live, linked to rising anxiety levels post-pandemic.

I’ve previously enjoyed when my own past lifestyles are the subject of nostalgia rehashes on social media. Now I think worried as no one should be too obsessed with the past. Especially not the young.