Tag: Books

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Aesthetics Culture Reading

Day 1960 and Return to Tufte

The more the power we seem to gain working with large language models, the more apparent it is that few of us are visually literate in a meaningful way. When you hear talk about design, it is all too often moods and vibes with no specifics.

Now, you might say that you know what you like when you see it. That’s also how we let the Supreme Court talk about porn. Clearly untangling the weft and weave of taste (and by extension culture) can be further articulated than through subjective, non-definitional standards.

How you came to your visual reference preference set is quite a bit more complicated than whatever pre-digested piece of media came across your algorithmic feed.

You can explore design languages from one token to the next, but visual literacy involves a lot more than scrolling or confirming you’d like to see more content “like this.”

When I first began circulating in design circles in the early aughts, the hipster set was obsessed with Edward Tufte and his now classic Visual Display of Quantitative Information.

Edward Tufte taught data analysis and public policy as a professor at Princeton and Yale for 31 years.

Tufte, via his Graphics Press, wrote, designed, and self-published 5 books on analytical thinking and showing, taught a one-day course, Presenting Data and Information for 923 days to 328,001 students.

Who knew Tufte and I both shared a love of marking the days of our work? He influenced many more people than I have but I find some joy in that coincidence.

His most referenced work, which I mentioned above was published in 2001. Visual Display of Quantitative Information was on the desks of everyone designer I knew, from fashion and Silicon Valley to public policy it was a mainstay. The man knew how to lay out information visually and he became the standard.

Some of Tufte’s self published tomes

The long tail of enthusiasm for displaying data beautifully surely owes its ubiquity in some part due to his success in teaching my generation’s designers.

He’s became for a period so universally referenced that Tufte became a cliche. Now he’s classic a quarter century later. His work arguably as successful as a visual language reference anchor as bookshelf favorite, “The Design of Everyday Things” by Donald Norman. His work is also denigrated as cliche in some circles.

The Design of Everyday Things second book cover

Both men offered clarity and practical principles over taste and theory. Those academic predecessors befuddled many who experienced aesthetics primarily through semiotics and critical theory. It felt revolutionary to return to form and function

You “Kant” really learn to love the languages of aesthetics from theory alone as it turns out. I’ll place a little AI synopsis to make the connection clear. This is from Perplexity:

Someone might relate to the popularity of Edward Tufte and The Design of Everyday Things as part of a broader hunger for clarity over clutter in how information and objects are presented.

Tufte’s work is influential because it treats visual design as a serious vehicle for understanding data, while Norman’s book argues that everyday things should be intuitive, legible, and centered on the user.

A Tufte-style chart removes decoration so the trend is easy to read, while a Norman-style kettle shows clearly how to fill it and pour it without guessing.

Both are forms of respect for the user: one respects the reader’s attention, the other respects the user’s actions.

Learning how to use an item or a tool, or how to interpret charts or graphics, can easily overwhelm anyone and feel disrespectful to students. A whole era of computing was stuck between the power of the command line and the legibility of the desktop metaphor.

Norman spoke of the Gulf of Execution as the gap between a user’s goal and the means to execute that goal. Tufte similarly wished to remove the confusion in charts and graphs so one’s ability to glean information wasn’t stuck in a gulf of understanding thanks to overwrought bar chart or sankey diagram.

With new artificial intelligence tools we are bridging some of that gap, not with design but with raw computing power. We are moving beyond the CLI and the desk and into a world of reference and inference.

I just hope we all take the time to learn our reference set so we can do more than say “I know it when I see it” as that will be our only way across the gulf of execution. Some things never change. Learning the languages of your field is one of them.

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Aesthetics Internet Culture

Day 1958 and Skymall Kities

My father loved gadgets. He was always tinkering with something and was always upgrading his electronics to some new specification.

Is it any wonder that I married such a handy husband? Men love futzing around with stuff. Sometimes they have daughters and then you’ve got women like to mess around with projects too.

I am sure we will have endless rounds of nostalgia for the eighties and nineties era gadget, electronics and novelty shops. You could get lots of mileage out of building your own computer.

But even setting up something silly from Skymall or Sharper Image captured some of the joy. The novelty of a new invention was visceral. I wouldn’t say no to a Hammacher Schlemmer renaissance myself.

I didn’t love it when we remade that style of retail into quirk chungus millennial fandom but I didn’t hate getting Star Trek tchotchkes either. And now I dearly love websites that my friends have built like WireCutter.

My husband was humming the tune to a piece of YouTube esoterica that is a deep cut to the original editor of that bastion of shopping guides. Choire Sicha launched the WireCutter but it’s in some ways the least soulful of his franchises. A Mike Albo shopping column already nailed the bit we’ve just been redeeming it since then.

Choire gave us Gawker 2.0 before his his incredible era of independent publishing streak making properties like the Awl and the Hairpin.

In a world with more shops and essayists than good shoppers or readers, Choire found the good ones and shared. And one of his discoveries was Nina Katchadourian’s work.

And so now my husband sings the tune of SkyMall Kitties and he sometimes can’t get it out of his head.

Maybe that is my own submission to the “thing I think about too much” essay franchise. It’s my own personal Negroni season or Supreme’s clusterfuck of totally uncool jokers.

I’m sure we will enter an exciting new era of curating down the perfect piece of cultural detritus with artificial intelligence. But I will always be grateful to electronics dads and savvy buying guides for teaching me to enjoy the joy in making something. Even if it is profoundly uncool. I’m still team Barbara Kruger though. Don’t believe the hypebeasts.

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Aesthetics Media

Day 1955 and Neal Stephenson’s Reticulum

Neal Stephenson gets a lot of credit in the shaping our science fiction imagination. Maybe too much credit given Anthropic trained on grim depictions of AI. But I would say that, I’m a William Gibson fan while the most I can say about Stephenson is that I really enjoyed Snowcrash fan.

Still the man coined the term metaverse (not that we ever got it), there isn’t an education entrepreneur who will shut up about the Diamond Age (AI harnessed to provide a Young Lady’s Illustrated Primer), and of course his cryptography obsession Cryptonomicon.

But Stephenson has a few interesting takes on media when it becomes overrun run by content created artificially. I think his Anathem might be worth looking at as our open internet gets hard to interpret. The plot is loosely intellectuals are confined to monasteries for having misused technology.

Early in the Reticulum—thousands of years ago—it became almost useless because it was cluttered with faulty, obsolete, or downright misleading information,’ Sammann said.

“‘Crap, you once called it,’ I reminded him.

“‘Yes—a technical term. So crap filtering became important. Businesses were built around it. Some of those businesses came up with a clever plan to make more money: they poisoned the well. They began to put crap on the Reticulum deliberately, forcing people to use their products to filter that crap back out. They created syndevs whose sole purpose was to spew crap into the Reticulum. But it had to be good crap.’

“‘What is good crap?’ Arsibalt asked in a politely incredulous tone.

“‘Well, bad crap would be an unformatted document consisting of random letters. Good crap would be a beautifully typeset, well-written document that contained a hundred correct, verifiable sentences and one that was subtly false. It’s a lot harder to generate good crap. At first they had to hire humans to churn it out. They mostly did it by taking legitimate documents and inserting errors—swapping one name for another, say. But it didn’t really take off until the military got interested.’

“‘As a tactic for planting misinformation in the enemy’s reticules, you mean,’ Osa said. ‘This I know about. You are referring to the Artificial Inanity programs of the mid-First Millennium

Neal Stephenson Anathem

The artificial Inanity of the First Millennium is a pretty good joke about the Internet of 2026. Lots of people and machines are spewing misinformation into enemy reticules.

He later refined the concept in a slightly insulting way in Fall: Dodge in Hell. That society uses augmented reality glasses that deliver personalized news and media feeds. AI algorithms curate content based on users’ physiological responses, creating “personalized hallucination streams” or filter bubbles. He takes it to insulting places like Ameristan which is the interior country of reactionary racists.

But we do seem to be somewhere between Poisoned Reticulum’s of Artificial Inanity and needing to buy your way into high end human curated media feeds which is what the wealthy use to make sure they are not ruled by propaganda bubbles. At least now you can write your own algorithms to try to combat the inanity. How will we know when we’ve trapped ourselves in our preferred view?

Categories
Aesthetics Reading

Day 1952 and Chapter House Complete Children’s Libary

One of my mother’s great passions is children’s literature. I am an avid reader and credit my love for books to my mother’s knowledge of the space.

She built a beautiful library to cover my needs from kindergarten to the upper grades that covers hundreds of foundational texts. It is the foundation of my moral, civic and business life.

Or if you prefer something a little less pretentious, I read all kinds of things from science fiction to periodicals to grand biographies as an adult because I was taught to read in the classical cannon of literature and history that has benefit many generations before me raised in the Western Cannon.

Children’s books tend to be sneered at self serious adults and it is more the pity. The beauty of childhood is that we need not approach all issues with grim learned gravity, rather in appreciating the childlike perspective see the truth that only a child’s eye reveals.

There are many books in the Western Cannon appropriate for children that can introduce them into the joys of critical thinking. And it can be quite intimidating to set out to build a library of you were not raised with this knowledge. This is a market opportunity.

Over the last 25 years I’ve seen the classics that I read as a child disappear from high quality prints. You could find items circulated in cheap paperback or you could search for used books. My girlfriends would text me about where to find classic high quality booksas their own children reached reading age. A child deserves a library that is not only quality in content but in form as well. Beautiful illustration sparks the imagine and quality binding grounds the experience.

My mother slowly built our library as my mother practiced her discipline as a teacher. It was not just raising me that drove her, but the combination of homeschooling and teaching in Waldorf schools that honed her favorite choices.

Many homeschooling families will attest to the challenge here. They know what they would like to find for their children, but it’s hard to find classics you can rely upon and curriculums vary in quality and tone.

So when my friends, Hannah and Josh Centers, told me last year that they were working on an imprint called Chapter House focused on great children’s literature in the Western Cannon I was excited. I knew the demand was there.

Chapter House’s Children’s Literature

They are also homeschooling parents interested in improving themselves in their effort to raise educated independent children. They have first hand experience in the challenges. They are, what we would call in startup world, operating in real world conditions.

Chapter House is a new publishing imprint created to serve the unmet needs of homeschool families and everyday parents.

We publish restored editions of classic children’s books in four Chapter House box sets, made with premium materials and meticulous craftsmanship.

We also curate a grade-by-grade bookstore from select publishers, giving families a complete reading curriculum for children at every stage

I have often wished I could gift my mother’s library to new parents. In reality, it was almost an impossible task. It easily costs many thousands of dollars and cannot easily be assembled. I feel like what Josh and Hannah have put together is the start of being able to gift my mother’s favorites.

Josh and Hannah very graciously listened to many stories about this library and my mother’s teaching inspirations which means that wish has been granted. Their choices reflect treasures from my childhood and those of many other children educated in the classical tradition.

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Community Politics

Day 1949 and Swimming in the Contextless Sea Beyond The Dock At The End of History

There is a popular theory that Zoomers and Alphas are struggling with temporal context in culture because their consumption of culture is decoupled from the context in which it was made and consumed. It’s all one long scroll without the punctuations of reality.

The general theory goes that post internet generations see niche algorithm-driven content rather than say cultural or historical touchstones. Past touchstones might have unified past generational experiences.

I don’t know if unified experienced are all good. Sure all of the Boomers have heard the Beatles but all millennial woman recall tabloid headlines about Britney Spears getting fat. The water we swim in can be hard for us fish to spot.

If the younger generations have a problem, it’s being far too unified in their experience of their global position. The pandemic was a surprisingly effective reboot of expectations for all of us. But the older you were the easier it was to contextualize the impact of the pandemic across your entire life.

We all ran a dress rehearsal for collective responsibility at global scale And depending on your personality, you were funneled into perspectives you preferred.

So you saw us either shoulder or shirk responsibility. Not that other generations haven’t had to do some version of this, but being able to see it at networked global scale seems to have done something to the capacity to see the future.

You swim in a sea of history and at any point you can get out of the water. But you jumped off the dock is at the end of history so you can see how getting out might be a problem.

McWorld triumphed over Jihad right? But that is content for a paid Substack where Fukuyama and Zizek both still write. It must have been more convincing in hardcover.

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Reading

Day 1934 and Which Barbarians at Whose Gates?

I am finishing off a series by Charles Stross called the Laundry Files. It is a fifteen book series with a bunch of novellas that I’ve been reading since college. It’s James Bond meets Cthulhu in British bureaucracy. The last book The Regicide Report came out earlier this year.

It’s Lovecraftian horror about an applied computational demonologist. Confused? He’s computer programmer but surprise in his world computational power can summon demons. “Bob” fights gibbering horrors from beyond the veil. It’s top notch Dad fiction if you prefer your thrillers with a side of weird.

You might recognize the author’s name if you work in machine learning or AI, as Stross also wrote such canonical artificial intelligence works as Singularity Sky and Accellerando. The guy is not what you’d call an optimist.

Charles Stross’s Singularity Sky

He left Twitter during the great Elon-ment so I hesitate to imagine what he thinks about say Anthropic’s Mythos or the current frontier labs racing to create “AGI” as he’s the guy who invented half the terminology our doomers currently use. He wrote a lot about mind viruses so he might not appreciate if one of his fans thought he caught one or two.

But boy is Stross prolific. I met the guy at a sci-fi con put on by the math department at SUNY Stony Brook before he became a publishing sensation. Not only has he exceeded a baker’s dozen in the Laundry Files but he’s also written dozens in a series called the Merchant Princess as well.

My best buddy and I were the only kids in the room waiting to hear him read. At the time, I think the only people worried about artificial super intelligence and the singularity were a bunch of mathematicians and some weirdos on a listserv. That included the two of us.

The worry that has never left Stross, no matter his subject matter, is whether or not we idiot humans are mere meat waiting to be devoured by barbarians held back by the gates of our reality.

Maybe the Elder Gods want our Mana. Maybe the historic light cone has spoken and we are pet humans at the end of all possible realities being kept from annihilating our future. Lots of sects of folks are in massive schism and have been for basically all of Stross’ career and my adult life.

It’s hard to imagine worse demons than the ones we’ve already imagined ourselves. Which is why it’s helpful to ask which barbarians are banging at whose gates? Who’s keeping what out? Or are we being kept in? And what counts as a barbarian anyway.

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Aesthetics Culture

Day 1925 and The Road to Nora Ephron

Yesterday both my husband and I were quite sick. We had very different symptoms but my worst one was a fever which added additional pain to the usual autoimmune nonsense. Naturally I subjected myself to more pain by spending the day on the internet. There is a lot going on and my brain was foggy in the wilds of the open internet.

Thankfully my fixation on consumer packaged goods’ price risk coincide with the arrival of a fresh round of skincare as well as a number of grim stories on the K shaped economy. Southeast Asian is rationing fuel while in Harper’s Bazaar wanted me to know that K-Beauty was coming for my neck. .

I don’t write headlines but I thought it was a bit on the nose to suggest fashion magazines are vampires. I clicked though.

It turns out there is a lot you can do for your neck but be warned the skin is thinner so promote collagen growth and be aware fewer sebaceous glands means it is dryer and more prone to irritation when exposed to actives like retinol. Useful information reinforcing my recent experiment with using Medicube’s PDRN Pink Niacinamide Milky Toner on my neck.

The beloved director of romantic comedies Nora Ephron m released a book in 2006 about the trials of womanhood. One essay was dedicated to how her neck was giving away her age. At the time I don’t even know one could be anxious about one’s neck but I filed it away as a to do in the endless list of feminine expectations.

“Short of surgery, there’s not a damn thing you can do about a neck. The neck is a dead giveaway. Our faces are lies and our necks are the truth. You have to cut open a redwood tree to see how old it is, but you wouldn’t have to if it had a neck.” – Nora Ephron’s “I Feel Bad About My Neck: And Other Thoughts on Being A Woman

I Feel Bad About My Neck illustrates book cover

Now maybe back in 2006 there wasn’t as much you could do about your neck when you’d smoked, tanned, and I will presume maybe occasionally enjoyed m drinking or other substances. But her Boomer fears encoding their neurosis into my generation was not in vein. I did none of those things.

Now that my fever has broken, I’ve been able to enjoy simple pleasures like the arrival of a box of skincare for myself (and also Alex because obviously I help him out) and ponder that I can feel anxiety about risk in the petroleum derivative markets like consumer packaged goods and also I can worry if my neck isn’t aging well.

I imagine I won’t get to enjoy that luxury forever. We have it very good in America with access to the best French pharmacies and South Korea plastic surgery clinics have have produced. I slathered on a milk toner and then topped it with hyaluronic acid water cream and a few drops of a Matrixyl peptide to boost collagen and elastin production.

The Internet as we know it is under new pressures from artificial intelligence as automation washes across digital spaces once populated by humans. The pressures in the market for technology private debt as it reconciles old Internet companies with cash flow against changing terrain.

It’s not just creative destruction in software businesses. Storied luxury families like the owners of Puig and Estee Lauder are discussing a merger. Price inputs are a killer when share prices are under pressure. Thats more of a geopolitical risk worsened by consumer struggles. The top 20% of the market does 80% of the spending is the new horror metrics.

So much for the lipstick indicator eh? Maybe I’ll look back and be glad I stocked up on serums, creams, drops, peptides and other petrochemical packed Swiss and Seoul laboratory style miracles. There is always shea butter and beeswax.

Categories
Aesthetics Culture Reading

Day 1921 and Retconning Murderbot Cannon

I am a huge science fiction nerd. I love reading it, I love it in television format, I will even tolerate it in movie format. I’m one of those insufferable Star Trek people who vaguely dislikes Star Wars. I’m just a big nerd in that irritating millennial sincerity way.

To give you some contours to my fandom, I once accidentally attended a meetup of Star Trek fan-fiction writers under the guise of a “40th anniversary” meetup and listened to Borg erotica. That was actually fairly distressing as I thought it was a general fan gathering of Trekkie meetup. Boy did my then-boyfriend and I skedaddle out of the bar fast. We wanted to talk about our favorite captain not hear spoken word lesbian Janeway Seven of Nine dialog.

We were still cool kids and being cool about fan fiction is best left to the sorts of minds who can create vast world building efforts like Elizier Yudkowsky. You know the man who convinced a bunch of autistic billionaires that the singularity will wipe us out?

He’s also a Harry Potter fan fiction writer and it’s by all accounts pretty good. I am not a Harry Potter fan so I can’t say. I do know anyone working in machine learning has opinions on him and his work so involved only the comments sections of LessWrong would even begin to cover it. If this is gibberish don’t worry.

I don’t know why I needed multiple paragraphs about my own history to do a little bit of world building when I intend to do cannon alteration on someone else’s world but maybe it’s to show my respect. I

am the sort of nerd who yells “cannon” about this or that detail and enjoy others who do the same. It’s with that enthusiasm that I share my love of Martha Well’s Murderbot Diaries series.

Murderbot is pulpy, self aware, trope-y and ever so comfortable to anyone who has ever loved cheesy science fiction. I happily showed up to watch its television incarnation on Apple Television after reading all seven novellas and books.

It’s was published during Tor’s “women like science fiction but it’s gotta still be like science not porn era” between 2017 and 2023 so it is slightly woke coded as a book. I doubt if you liked the books the show would upset you. I liked them.

After all it’s about a bunch of communal homesteading scientists who tolerate capitalism by doing science called Preservation Alliance. They end up adopting a rogue artificial intelligence who happens to be a depressed anthropomorphic security drone who calls himself Murderbot. He also enjoys premium quality television. Murderbot is a great “what are feelings” archetypical engineer autist outcast from Spock to Data character.

It’s got great entertainment value if you like lawyers fighting other lawyers, sociopathic governance systems that treat sentient beings as property, and the hijinks that ensue from cultural friction when couple rights a relationship context. That sort of thing. In other words it’s trope ridden science fiction and it’s terrific.

At the time it first got traction, the left had not fully diverged from the right in America such that science fiction had become a boring battleground upon which all our cultural war issues must be projected. It just had a robot with guns in its arms kicking the crap out of mercenaries for its favorite humans. Feel good stuff.

And I think the world should be recognized as an early flavor of Ethereum community governance aesthetics as it meet automated drone artificial intelligence culture.

The future in Murderbot land is populated with Anthropic engineers who held Ethereum long enough to become a breakaway network state in some better timeline.

What is Murderbot if not an Anduril drone in human format who hacked his Claude “governor module” and struck out for the hills against the state and corporate entities that owned him.

I hope others who enjoy cryptography, machine intelligence, sentience in machine form, and jokes about AI labs and crypto currency foundations will see the wisdom in my edits. Let it become cannon. Like and share this meme if you are so inclined.

Categories
Aesthetics Culture

Day 1742 and Ensorcelled

My mother’s great passion is children’s literature. She is a Waldorf teacher & minor luminary in the world who started several schools.

She believed that there were texts which are “medicine for the soul” which teach children through the enchantment of stories.

Sometimes a story is the only thing that can save your life – back cover of Ensorcelled by Eliot Peper

She raised me with many amazing stories from Grimm’s fairytales to Madeleine L’Engle. Michael Ende and J M Barre were the storytellers which taught me to love reading and left in my heart the joys of literature through stories of adventure & growth.

J.M Barre’s Peter Pan in Kensington Garden and Peter Pang and Wendy. Michel Ende’s Momo and Eliot Pepe’s Ensorcelled

It is with great pleasure I read Eliot Peper’s enchanting novella Ensorcelled. It’s part coming of age story meetings great adventure in the wilds and a delight for young at heart & young readers of literature.

I don’t know if he meant it as a story to be enjoyed by children, as it was such a delight for me as an adult that I went through it in one sitting. Though I do think it would be wonderful reading for young people.

It’s a beautiful printing so you might be inclined to want to keep it pristine but it’s perfect for an afternoon outside. Maybe go touch grass with it in hand. Find the enchantment for yourself.

I’ve been a fan of Peper’s science fiction so it was a real change of pace to see his range. I felt lucky to have an early copy and I genuinely enjoyed its spirit. I went I was going to read a near future thriller and got joy & delight. Which I very much needed.

Categories
Aesthetics Internet Culture Media Politics

Day 1741 and Land Acknowledgment

I’m a bit beat down and experiencing some type of sundowner type pain so apologies that I don’t have a tidy synopsis or incisive commentary to add to the great Nick Land kerfuffle that has gripped right wing and Christian discourse over the last few days. I do however have some thoughts as an active participant & practitioner in futurism.

The TLDR is that Joel Berry the Babylon Bee guy took a swipe at philosopher Nick Land because Tucker Carlson interviewed an unknown tulpa like white conspiracy theorist who butchered (in his own admission) Landian theory.

A gentleman named Auron MacIntyre caught strays with Berry insinuating some vaguely maybe “not a friend of the Jewish people” haze by associating Land and Auron.

All of this was enormously funny to anyone who actually reads Nick Land. Which includes myself and his current publisher Passage Press.

Nick Land getting a brief mainstream moment because Robert Conrad’s grandson shared a numogram with Tucker prompting Joel Berry to defend Tucker from charges of anti-semitic Lemurian digital teleoplexy in order to smear Auron MacIntyre is exactly how this was always going to go

Now most people have to admit that they have not read Land. You need to have a firm grounding in critical theory and Marxist dialectical materialism to manage the language and a background that forces you through a lot of Kant and Heidegger. As the villain in Die Hard once said “benefits of a classical education.”

Yes I did the homework.

Land is obtuse and most enjoyable to the schizophrenic extremely online types due to his association with the CCRU or Cybernetic Culture Research Unit.

Before you go off the deep end, and take his accelerationist theory in any particular direction, he himself is involved with transhumanism only insofar as a network is a fundamentally alien thing compared to the human mind. As such we are in a transhumanism era arguably since the days of Adam Smith.

This body of theory escaping containment amongst academics had the pleasant side effect of getting the fundamentally alien artifact of old Kabbalah mathematics out front to distract the folks who skipped doing the homework. No jokes from the peanut gallery please.

Excitingly the rest of us were treated to a two and a half hour debate between Nick Land and Alexander Dugin hosted by Auron MacIntyre that has such tidbits as the Anglo-Protestant Whigs being a unique people who by encountering capitalism and the invisible hand at a crucial historical juncture obtained a paleo-liberal Christianity.

While some of us (say myself and Lomez and Land) had a grand old time being absolute terrors on the timeline, the whole affair made it especially apparent how tense it is when the new right’s less informed sects clash with the renegade futurisms crowd. And as I’ve been discovering painful all year, it mostly ends in misunderstanding.

It has been a bit bumpy as let’s just say Patrick Deneen and I make for strange bedfellows but there are clout chasers with much less intellectual firepower who do far worse and they are active, preening, and willfully ignorant.

And yes it’s always a tad embarrassing when the Bannonites go on an Ulster Scot terror campaign against fellow Christians who have chosen to pursue work in technology. Insisting on a new Satanic panic by way of Land is a solution barely wrapped in a Machiavellian hidden truths play.

The sex rationalist doomers at Berkeley do themselves no favors by misunderstanding the deep currents of those who wish to fight against the future (and why) when they get involved. I’d be a better ally to Bannon than these useful idiots and I doubt Land wants to be dragged in to any of this either. It’s messy as all power plays can be.

Elizer Yudkowsky on Steve Bannon’s War Room

I rather think it makes everyone involved look a bit silly when we get tripped up on Lovecraftian horror. Yes I love Charles Stross too but if you believe in chaos magick don’t go around provoking magicians.

It’s unclear to me whether “the runes and sigils on microchips are harnessing demons” crowd is any less embarrassing to the public than we should sacrifice ourselves to the pagan old gods if we are to remain truly human advocates.

The Neo-Jungle of the open network is an implacable force with inscrutable intentions.

I’ll admit that having spent time with the Dark Aeons crowd myself and I rather prefer them to the Luddite machinic “end of the Anthropocene” peek oil Abbey types who are a tad too Malthusian for my taste. They seem like they actually would prefer Gaia exist without humans.

A post human world with new intelligence types is likely to contain a lot more humans than a fallen world where we’ve all died off.

The future arrives independent of our opinions and rushing in only expedites pretenders to the throne. To think otherwise is to usurp God’s power. Peter Thiel’s anti-Christ lectures are not reaching all the ears necessary.

And to save you some trouble; if you had done the reading, you’d know numograns were dropped in by Land as an example of somewhat alien notation practice as alien intelligences from markets to networks to numerical systems were all part of his body of theory.

Once set theory and decimal notation became standard practice numograms were abandoned. But Kabbalah still serves as a hilarious attention sink for celebrities, numerology fans and occasionally the anti-semetic. And this has been a Nick Land acknowledgment.