Tag: Reading

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Aesthetics Culture Reading

Day 1960 and Return to Tufte

The more the power we seem to gain working with large language models, the more apparent it is that few of us are visually literate in a meaningful way. When you hear talk about design, it is all too often moods and vibes with no specifics.

Now, you might say that you know what you like when you see it. That’s also how we let the Supreme Court talk about porn. Clearly untangling the weft and weave of taste (and by extension culture) can be further articulated than through subjective, non-definitional standards.

How you came to your visual reference preference set is quite a bit more complicated than whatever pre-digested piece of media came across your algorithmic feed.

You can explore design languages from one token to the next, but visual literacy involves a lot more than scrolling or confirming you’d like to see more content “like this.”

When I first began circulating in design circles in the early aughts, the hipster set was obsessed with Edward Tufte and his now classic Visual Display of Quantitative Information.

Edward Tufte taught data analysis and public policy as a professor at Princeton and Yale for 31 years.

Tufte, via his Graphics Press, wrote, designed, and self-published 5 books on analytical thinking and showing, taught a one-day course, Presenting Data and Information for 923 days to 328,001 students.

Who knew Tufte and I both shared a love of marking the days of our work? He influenced many more people than I have but I find some joy in that coincidence.

His most referenced work, which I mentioned above was published in 2001. Visual Display of Quantitative Information was on the desks of everyone designer I knew, from fashion and Silicon Valley to public policy it was a mainstay. The man knew how to lay out information visually and he became the standard.

Some of Tufte’s self published tomes

The long tail of enthusiasm for displaying data beautifully surely owes its ubiquity in some part due to his success in teaching my generation’s designers.

He’s became for a period so universally referenced that Tufte became a cliche. Now he’s classic a quarter century later. His work arguably as successful as a visual language reference anchor as bookshelf favorite, “The Design of Everyday Things” by Donald Norman. His work is also denigrated as cliche in some circles.

The Design of Everyday Things second book cover

Both men offered clarity and practical principles over taste and theory. Those academic predecessors befuddled many who experienced aesthetics primarily through semiotics and critical theory. It felt revolutionary to return to form and function

You “Kant” really learn to love the languages of aesthetics from theory alone as it turns out. I’ll place a little AI synopsis to make the connection clear. This is from Perplexity:

Someone might relate to the popularity of Edward Tufte and The Design of Everyday Things as part of a broader hunger for clarity over clutter in how information and objects are presented.

Tufte’s work is influential because it treats visual design as a serious vehicle for understanding data, while Norman’s book argues that everyday things should be intuitive, legible, and centered on the user.

A Tufte-style chart removes decoration so the trend is easy to read, while a Norman-style kettle shows clearly how to fill it and pour it without guessing.

Both are forms of respect for the user: one respects the reader’s attention, the other respects the user’s actions.

Learning how to use an item or a tool, or how to interpret charts or graphics, can easily overwhelm anyone and feel disrespectful to students. A whole era of computing was stuck between the power of the command line and the legibility of the desktop metaphor.

Norman spoke of the Gulf of Execution as the gap between a user’s goal and the means to execute that goal. Tufte similarly wished to remove the confusion in charts and graphs so one’s ability to glean information wasn’t stuck in a gulf of understanding thanks to overwrought bar chart or sankey diagram.

With new artificial intelligence tools we are bridging some of that gap, not with design but with raw computing power. We are moving beyond the CLI and the desk and into a world of reference and inference.

I just hope we all take the time to learn our reference set so we can do more than say “I know it when I see it” as that will be our only way across the gulf of execution. Some things never change. Learning the languages of your field is one of them.

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Aesthetics Reading

Day 1952 and Chapter House Complete Children’s Libary

One of my mother’s great passions is children’s literature. I am an avid reader and credit my love for books to my mother’s knowledge of the space.

She built a beautiful library to cover my needs from kindergarten to the upper grades that covers hundreds of foundational texts. It is the foundation of my moral, civic and business life.

Or if you prefer something a little less pretentious, I read all kinds of things from science fiction to periodicals to grand biographies as an adult because I was taught to read in the classical cannon of literature and history that has benefit many generations before me raised in the Western Cannon.

Children’s books tend to be sneered at self serious adults and it is more the pity. The beauty of childhood is that we need not approach all issues with grim learned gravity, rather in appreciating the childlike perspective see the truth that only a child’s eye reveals.

There are many books in the Western Cannon appropriate for children that can introduce them into the joys of critical thinking. And it can be quite intimidating to set out to build a library of you were not raised with this knowledge. This is a market opportunity.

Over the last 25 years I’ve seen the classics that I read as a child disappear from high quality prints. You could find items circulated in cheap paperback or you could search for used books. My girlfriends would text me about where to find classic high quality booksas their own children reached reading age. A child deserves a library that is not only quality in content but in form as well. Beautiful illustration sparks the imagine and quality binding grounds the experience.

My mother slowly built our library as my mother practiced her discipline as a teacher. It was not just raising me that drove her, but the combination of homeschooling and teaching in Waldorf schools that honed her favorite choices.

Many homeschooling families will attest to the challenge here. They know what they would like to find for their children, but it’s hard to find classics you can rely upon and curriculums vary in quality and tone.

So when my friends, Hannah and Josh Centers, told me last year that they were working on an imprint called Chapter House focused on great children’s literature in the Western Cannon I was excited. I knew the demand was there.

Chapter House’s Children’s Literature

They are also homeschooling parents interested in improving themselves in their effort to raise educated independent children. They have first hand experience in the challenges. They are, what we would call in startup world, operating in real world conditions.

Chapter House is a new publishing imprint created to serve the unmet needs of homeschool families and everyday parents.

We publish restored editions of classic children’s books in four Chapter House box sets, made with premium materials and meticulous craftsmanship.

We also curate a grade-by-grade bookstore from select publishers, giving families a complete reading curriculum for children at every stage

I have often wished I could gift my mother’s library to new parents. In reality, it was almost an impossible task. It easily costs many thousands of dollars and cannot easily be assembled. I feel like what Josh and Hannah have put together is the start of being able to gift my mother’s favorites.

Josh and Hannah very graciously listened to many stories about this library and my mother’s teaching inspirations which means that wish has been granted. Their choices reflect treasures from my childhood and those of many other children educated in the classical tradition.

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Reading

Day 1934 and Which Barbarians at Whose Gates?

I am finishing off a series by Charles Stross called the Laundry Files. It is a fifteen book series with a bunch of novellas that I’ve been reading since college. It’s James Bond meets Cthulhu in British bureaucracy. The last book The Regicide Report came out earlier this year.

It’s Lovecraftian horror about an applied computational demonologist. Confused? He’s computer programmer but surprise in his world computational power can summon demons. “Bob” fights gibbering horrors from beyond the veil. It’s top notch Dad fiction if you prefer your thrillers with a side of weird.

You might recognize the author’s name if you work in machine learning or AI, as Stross also wrote such canonical artificial intelligence works as Singularity Sky and Accellerando. The guy is not what you’d call an optimist.

Charles Stross’s Singularity Sky

He left Twitter during the great Elon-ment so I hesitate to imagine what he thinks about say Anthropic’s Mythos or the current frontier labs racing to create “AGI” as he’s the guy who invented half the terminology our doomers currently use. He wrote a lot about mind viruses so he might not appreciate if one of his fans thought he caught one or two.

But boy is Stross prolific. I met the guy at a sci-fi con put on by the math department at SUNY Stony Brook before he became a publishing sensation. Not only has he exceeded a baker’s dozen in the Laundry Files but he’s also written dozens in a series called the Merchant Princess as well.

My best buddy and I were the only kids in the room waiting to hear him read. At the time, I think the only people worried about artificial super intelligence and the singularity were a bunch of mathematicians and some weirdos on a listserv. That included the two of us.

The worry that has never left Stross, no matter his subject matter, is whether or not we idiot humans are mere meat waiting to be devoured by barbarians held back by the gates of our reality.

Maybe the Elder Gods want our Mana. Maybe the historic light cone has spoken and we are pet humans at the end of all possible realities being kept from annihilating our future. Lots of sects of folks are in massive schism and have been for basically all of Stross’ career and my adult life.

It’s hard to imagine worse demons than the ones we’ve already imagined ourselves. Which is why it’s helpful to ask which barbarians are banging at whose gates? Who’s keeping what out? Or are we being kept in? And what counts as a barbarian anyway.

Categories
Aesthetics Culture Reading

Day 1921 and Retconning Murderbot Cannon

I am a huge science fiction nerd. I love reading it, I love it in television format, I will even tolerate it in movie format. I’m one of those insufferable Star Trek people who vaguely dislikes Star Wars. I’m just a big nerd in that irritating millennial sincerity way.

To give you some contours to my fandom, I once accidentally attended a meetup of Star Trek fan-fiction writers under the guise of a “40th anniversary” meetup and listened to Borg erotica. That was actually fairly distressing as I thought it was a general fan gathering of Trekkie meetup. Boy did my then-boyfriend and I skedaddle out of the bar fast. We wanted to talk about our favorite captain not hear spoken word lesbian Janeway Seven of Nine dialog.

We were still cool kids and being cool about fan fiction is best left to the sorts of minds who can create vast world building efforts like Elizier Yudkowsky. You know the man who convinced a bunch of autistic billionaires that the singularity will wipe us out?

He’s also a Harry Potter fan fiction writer and it’s by all accounts pretty good. I am not a Harry Potter fan so I can’t say. I do know anyone working in machine learning has opinions on him and his work so involved only the comments sections of LessWrong would even begin to cover it. If this is gibberish don’t worry.

I don’t know why I needed multiple paragraphs about my own history to do a little bit of world building when I intend to do cannon alteration on someone else’s world but maybe it’s to show my respect. I

am the sort of nerd who yells “cannon” about this or that detail and enjoy others who do the same. It’s with that enthusiasm that I share my love of Martha Well’s Murderbot Diaries series.

Murderbot is pulpy, self aware, trope-y and ever so comfortable to anyone who has ever loved cheesy science fiction. I happily showed up to watch its television incarnation on Apple Television after reading all seven novellas and books.

It’s was published during Tor’s “women like science fiction but it’s gotta still be like science not porn era” between 2017 and 2023 so it is slightly woke coded as a book. I doubt if you liked the books the show would upset you. I liked them.

After all it’s about a bunch of communal homesteading scientists who tolerate capitalism by doing science called Preservation Alliance. They end up adopting a rogue artificial intelligence who happens to be a depressed anthropomorphic security drone who calls himself Murderbot. He also enjoys premium quality television. Murderbot is a great “what are feelings” archetypical engineer autist outcast from Spock to Data character.

It’s got great entertainment value if you like lawyers fighting other lawyers, sociopathic governance systems that treat sentient beings as property, and the hijinks that ensue from cultural friction when couple rights a relationship context. That sort of thing. In other words it’s trope ridden science fiction and it’s terrific.

At the time it first got traction, the left had not fully diverged from the right in America such that science fiction had become a boring battleground upon which all our cultural war issues must be projected. It just had a robot with guns in its arms kicking the crap out of mercenaries for its favorite humans. Feel good stuff.

And I think the world should be recognized as an early flavor of Ethereum community governance aesthetics as it meet automated drone artificial intelligence culture.

The future in Murderbot land is populated with Anthropic engineers who held Ethereum long enough to become a breakaway network state in some better timeline.

What is Murderbot if not an Anduril drone in human format who hacked his Claude “governor module” and struck out for the hills against the state and corporate entities that owned him.

I hope others who enjoy cryptography, machine intelligence, sentience in machine form, and jokes about AI labs and crypto currency foundations will see the wisdom in my edits. Let it become cannon. Like and share this meme if you are so inclined.

Categories
Aesthetics Politics Startups

Day 1898 and Please Copy Our Homework

Today has been a very gratifying day for a very strange intersecting set of reasons. You may know that I have spent several years working to pass a “right to compute” law in Montana. It was signed into law in August of 2025 by Governor Gianforte.

I was so grateful that a campaign I initiated became not only become a bipartisan policy but a law supported by many Montana citizens & legislators. Now to see it go national not only model policy for the American Legislative Exchange Council but now have a second state, New Hampshire, pass it in their house, gives me indescribable joy.

Just forty eight more states to go. Though I believe it’s going to be an uphill climb as the topic of artificial intelligence has well and truly become politicized which makes stating simple cases of shared values much harder.

Except this isn’t really about artificial intelligence. Compute is a much broader and bigger thing than AI. It’s the stuff of the modern world. But that doesn’t mean we can’t apply what we know to be core American values as the lens through which we see it. Indeed it’s crucial we do.

Last year people could easily see that this was a sensible law that reflected our American values. Because of this sensible approach “the right to compute” is a winning coalition. It was bipartisan. So naturally it became a culture war.

I urge you not to adopt that frame. The right to compute speaks to American’s most cherished beliefs. Recognizing that it is not a novel legal theory. It is the application of the Constitution’s oldest commitments—to expression, to property, to liberty against government coercion

Even if you do not understand how all of its parts work, most understand that the entire digital world, in its constituent parts, is mathematics executed on physical hardware.

When government restricts computation, it does not merely regulate an industry. It restricts the tools through which people think, express themselves, and make use of their own property. Through that lens it’s clear we as Americans decide ourselves how to use it.

I hope we can remember this as the world changes and political actors look to change your mind. I do expect this to become a very complicated and uncomfortable position to have staked out.

Yet I feel confident that we will be able to make the case that this is not only the most American way of handling our future challenges, but is also practically the best way to bring abundance in a chaotic world. America is a land of reinvention that changes material conditions. We need not seek doom.

I believe that I have articulated that vision over the last five years of writing and investing so you can see my revealed preferences. I called our fund chaotic.capital for a reason. It’s hard, weird, difficult and scary but it’s also possible to be a lot better in the digital world such that we can use those gains to make the material world better. We can be more than productive primates with jobs

From nuclear energy to compute, this is what I believe and where I have put my time and money. We are organizing our world of atoms through the power of compute. And that can bring about a materially better world for everyone. Which I want.

I have been thrilled to see so many different people come together around the basic premise that we are empowered to do things.

We can lean in to the accelerating changes, all while holding fast to the reins of the values that built America, so that we may steer ourselves to material success.

Travis Kalanick of Uber may be among the best founders to have ever played the venture startup game. Today he has espoused our thesis & reinforced the work of my friends & founders. To see a cultural program written by a big coalition be part of his return to startup life (though he was never gone) is validating. We’ve found a rallying call.

The way forward is through the application of math on real problems. We can dramatically reimagine outcomes and the pace at which we do it. It’s scary and will look different but our grandparents lived through a lot of change too. Their grandparents as well. It’s the human condition.

I believe all of this is grounded in a philosophical foundation that is a recommitment to America’s core constitutional values. We are free to make things. And sometimes, when we apply ourselves, the world really does change.

If you are a canny socialist thinking look at this useful idiot for capital, I am honestly surprised that dialectical materialism has become so disliked by its own movement. If states with conservative libertarians can see that culture only changes when material conditions improve why don’t you want to improve them? Please feel free to copy our work as we have studied yours. You can find model policy here.

Categories
Aesthetics Culture Politics

Day 1876 and Phantom Futures Past

It’s just clear that some people are enabled to bigger, better and faster output thanks to rapidly advancing tools coming from the foundation model companies.

Will Manidis is on hot streak of essay writing (aided by artificial intelligence in the best way) and has produced thought provoking writing at a great clip. I love nothing more than seeing an exited founder feel free to express their views at their fullest. I’ve written about his essays in the past and suggest following him.

Today he wrote about visiting Oman and his reflections on its transition to a modern state by a singular leader choosing a third way way of building rather the binary choices other nations seem to have made between of annihilating the past for the future or total preservation of a way of life that no longer functions.

“I left with an unsettling feeling that I had seen a vision of the future that I wasn’t supposed to see. A country that had gotten extraordinarily wealthy but stayed coherent to its pre-industrial identity—a country that didn’t turn into a museum, didn’t paralyze itself in amber, but became a modern, functioning, wealthy nation that did not feel like it had been strip-mined of itself by the money.

In the West, we really have convinced ourselves there are only two options for our post-economic future. You can be Shenzhen or you can be Athens. … Shenzhen is the city that chose money over place so completely that it deleted itself.

…Athens is the opposite failure, and I say this as someone who is at least Greek enough that I feel like I won’t offend anyone. Athens chose place over money so totally that the city itself is a mausoleum”

A photo from Will’s tweet essay on visiting Oman

I don’t know much about Oman and I make no claims to understanding its politics or histories but I too think about what we lose without a sense of place but am also fascinated by the liminal zones of the hyper future set against a past we are actively forgetting. And no nation is immune from this process.

I do however have two books to recommend if the topic of place, continuity and the future interests you. One is a work of fiction and one a photography compendium whose forward was written by my favorite author.

Photographer Greg Girard’s work documents Asian cities in transition, especially Shanghai and Kowloon, was closely associated with William Gibson, who wrote the foreword to Girard’s book Phantom Shanghai. Gibson is the father of cyperpunk. And I contend that his near future fiction gets quite a bit right about how close the dark past is to almost arrived future. These images were shot in 2007 and yet the outlines of the super cities was already energy

One of Girad’s photographs Phantom Shanghai

The other book is a work of alternative historical fiction in the vein of Philip K. Dick’s Man in the High Castle called American War by Omar El Ak. It is premised on an inverted or “reversed” 9/11/War‑on‑Terror in which American bombed a thriving Dubai.

The premise follows a protagonist’ traumatic life as a a radicalized agent of terror preyed on by different foreign influences living in a refuge camp in what was once Georgia.

It rhymes with both Will’s essay and with William Gibson for me. In a review of the book, they quote Faulkner “the past is never dead. It’s not even past.” And as these examples all show us, cyperpunk was born in Some Dark Holler

Categories
Travel

Day 1870 and Cutting Down On Packing Time

I am a very thorough, well honed and time tested, and Karen hardened packing methodology.

I have a little bit of childhood anxiety around packing for having moved around a lot that has alas never left me. Many people having anxiety about flying so at least it is a bit relatable but I don’t know if packing anxiety is as common.

For me it’s not about being in the air but rather leaving behind an established base for parts unknown. Will I be able to find medicine for issue that arise or soap that won’t trigger eczema? What if I need to appear at an event requiring a dress & makeup? What if I need to walk for two miles with all those things?

Every time I pack I go through the same routine and I use the same bags with the same labeling system to manage all the permutations I might encounter. And it is a science.

I have a small pajama bag I carry in my backpack in case of an unexpected overnight or long delay. I carry small clear vanity case to clean & groom myself with full allergy protocols that passes even the crankiest Heathrow checkpoint. I am prepared.

I carry on my person a a small pill bag with every detail labeled that can handled medical incidents big and small along with my first responder certificate. If you have an issue on an airplane you want to be seated next to me.

From there in my carry on suitcase I label the packing cubes with every item I bring, from underwear to wrap dress and ballet flats. Everything that is packed in my larger Tumi that gets checked is also labeled and I place an itinerary on top as I find my bags opened more frequently than seems reasonable.

There are no questions from the TSA or the most belligerent customs agent that won’t be immediately cleared up with minor inspection. Now with artificial intelligence I can translate my labels on the fly into any language.

Despite this clarity and organization, I admit I’ve had a few amusing incidents. Once through Heathrow I unsettled a British Airways agent with my fiber and protein powder baggies. Because clearly middle aged woman would smuggle in a quart sized baggie of cocaine in her purse.

I really wish with all the travel I do and my very strict system that this would all somehow take a little bit less time than it does. I generally allow myself two days to pack as I like to check and double check as it’s an iron law that things will be forgotten. And Montana is remote enough that if I forget a fancy serum or a favored sweater I won’t get a replacement easily. We only just got a Sephora this year.

I am however headed for a large American city that has absolutely everything I could possibly want in short order. So as I leave behind a European home base where I do keep things on hand (I didn’t always but extended family has been kind to me) I feel much less pressure this time. And still somehow I will allow myself to let it take more time than I’d prefer.

Categories
Internet Culture Preparedness

Day 1868 and Educating An An Entire Species or Start With Your Family

A viral essay was posted a few days ago by a Matt Schumer meant to help introduce the current state of artificial intelligence tools to people who do not work in technology.

It’s a very compelling piece of writing (or maybe it’s just reading), which I believe is well received by normal people especially older family members or technical skeptics. They are often the hardest to reach because of age and experience gaps and a smooth essay goes down well.

The author is the founder of HyperWrite. His company offers a suite of AI writing and research tools. So yes, his excellent writing and wide reach (over 40 million views so far) were achieved thanks his fluent use of AI for both writing and promotion.

The end result of using tools is an excellent essay distributed far and wide. Or if you prefer, the end product was a tool shaped object which gave people a sense of understanding. That’s valuable.

Don’t let his usage of AI in producing this writing and publishing stop you from taking his points seriously. In fact, it should encourage you to read it and consider if you want to share it.

You too will soon be competing in a world where regular people like Matt are capable of super human feats. Perhaps you’d like the same leverage for yourself and your family.

All of us can learn to work with the amplifying effects of networks and artificial intelligence algorithms with practice and usage. Allowing us global reach and potentially maximizing the potential of our insights and points of view. That should make us feel better about where we are headed and not worse.

I feel it is useful to share the essay with your skeptical family and friends who are either scared, confused, angry or indifferent about the rapid changes because it is the current reality we all live in.

I know it’s hard as a middle aged professional to learn new tricks. I’m in the middle of it too. But we have to educate all of us and it’s going to take some time. I’d rather we get started on it. And on that note my lunch break from Montana’s digital innovation committee is only an hour so I’ll get back to it.

Categories
Media Reading

Day 1855 and Reading The Certain Uncertainty

My daily routine starts perceptually early when I am in Europe and perceptually late when I am in Montana. The world is currently rotating on the narratives of American Eastern Standard Time and that means I try to rotate with it too.

Alas part of me has always oriented my circadian rhythm around the full noon day sun as I’m I am not an early bird nor a night owl. So European hours work better for me than Mountain West Hours for some types of work.

Most notably the watching of flows of information, particularly from legacy media and its keepers in Washington DC and New York City.

I don’t know where I got the habit, probably from my mother or father, but I always start my day scanning the major newspapers.

There is functionally no local paper to read any longer in most markets but I will take Bloomberg, The Financial Times, The Wall Street Journal, The New York Times, along with NPR before I do anything else. If I’m feeling spicy I might even look through the New York Post.

It’s a habit I was encouraged into as my family was a household that always had a newspaper delivered. Whoever began their day together would share or sections, like a Norman Rockwell painting. I generally remember it being my mother but my father was a great reader as well.

What began with a local Colorado paper turned into many subscriptions. We subscribed to all sorts of magazines and periodicals when times were good and what we could not justify in the household budget, I was encouraged to pick up at the library after school.

Maybe this is why I am such an avid writer, as I am an avid reader. Although I don’t know if either of those habits will have much utility in the future as we transit into visual and oral communication methods. I am still reticent to scroll video platforms.

Now I begin the day not just with a newspaper scan but with every sources of information I can scan from commodity indexes to podcasts and social media.

I like to know where the discourse is being guided as early as I can. Obviously in my professional capacity sometimes I’m months ahead or even years, but I like to be ahead, at least, of the day’s news as well.

Increasingly it is hard to be sure that you are able to paint yourself a picture of what may really be happening as opposed to a picture of what somebody else would like you to think is happening. This was always true but now we are in the fog of war.

Hence my interest in being on European time zones. I can usually get a good grip on what may percolate up being ahead of the London broadsheets. Being just ahead enough of the largest media market (American media is mostly based in Manhattan) can give you a real sense of freedom in these very certain, uncertain times.

Categories
Aesthetics Culture

Day 1854 and Will The Real Fake Fendi Please Stand Up?

I don’t know if I should be flattered or irritated but I learned funniest thing this week. Netflix “stole” my Real Fake Fendi story for their hit show Emily in Paris. Let me explain.

Emily in Paris wrote a plot-line into the current 5th season which appears to be riffing on one of my old blogposts “The Real Fake Fendi.” It is a true story & anyone who has known me awhile has heard me tell it.

I wrote about it in ‘21 on this blog five years long before this season premiered. I am on day 1853 day of writing a daily blog and published the story on Day 89 of my writing experiment though the actual experience took place sometime in the late aughts or early teens where I believe I first wrote about it on an old blog I took down.

Emily pitches a campaign to Fendi for a “real fake Fendi” on Emily in Paris

I suspect I would find earlier variants of this tale from my very first (somewhat popular) fashion blog as well. I suppose where fashion is headed is always where fashion has been. Or as they say on the show “it’s super meta and self referential”

The story goes like this. I was once was asked by a tourist for directions to find “a real fake Fendi” when I lived in Manhattan’s Chinatown.

I was honestly stumped by this inquiry. I didn’t answer immediately as my mind raced through the implications of their request. Imagine my mind retrieving.

Was there a fake that had inherent realness that other knockoffs did not possess? Was there a vendor who sold the most authentic mimicry of Fendi which the tourist wished to find? I had no clue how to answer.

Did they mean the realness one sees on the catwalks overseen by RuPaul? But which kind of realness? The creation that evokes the spirit of its inspiration? A realness so over the top and yet absolutely true to its essence?

Or perhaps the blunt direct feedback from being “read” by a drag artist that no construct, no matter how convincing, is the original artifact. Is is serving realness? I honestly didn’t know. I had Walter Benjamin’s The Work of Art in The Age of Mechanical Reproduction swirling in my head and still has no answer.

Apparently tourists looking for Canal Street want to buy the most authentic real fake Fendi

I just told the tourist that Canal was one block north and walked away. I don’t know if they ever found what they were looking for and I may have even given them the wrong directions I was so flummoxed.

Now can I really complain about someone taking one of my coinages and injecting it into a Darren Starr show about spunky brunette girl from heartland American who becomes a luxury fashion marketer by being good at social media. You see where I am going with this. That girl is me.

Perhaps my friend and fashion scholar Susan Scafidi of Fordham Law School’s Fashion Law Institute & author of “Who Owns Culture” would know who owns this cultural artifact. I bet I’ve told her this story too.

This life story archetype has been aspirational long before me. Murphy Brown anyone? It has been done in many different formats including Darren Starr’s best known work Sex and The City.

But it is my story too. So is Emily in Paris the real story of Julie in Manhattan? Is Julie in Manhattan the real Emily in Paris? Am I a retro causal multiverse prequel version of Emily?

Who is the real Emily? Am I the real Emily? Who buys a fake version of the real thing? Either way, I think Netflix owes me at a walk on spot. It would be very self referential. Or me-referential