Tag: Art

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Internet Culture

Day 1913 and Japanese Twitter

I am recovering from the whirlwind week in Washington D.C and my brain is only marginally more functional than my body. I’m slow and in pain.

So it delights me, even as I return to convalescing, to see that Twitter’s current happening is the discovery that a large chunk of Japan is on Twitter and they are active posters.

Screenshot of Nikita Bier explaining why users are seeing more posts from Japanese users

In past eras of Twitter the language barrier was high. Auto-translated posts are a relatively new feature such that if you only spoke English you didn’t see content that wasn’t English. I wasn’t seeing any Japanese posts but once I saw Nikita’s post, I was keen to tilt my feed. So I went on a mission to find and like as many posts as I could from Japanese accounts.

And what a world of joy it has been. Americans are showing up in droves to Japanese Twitter users with encouragement, support, and good will.

It is very sweet as you will see seemingly random posts with tens of thousands of likes and comments cheering on the hobbies, struggles and daily lives of random Japanese users. Everyone is getting in on the spirit.

I’ve spent part of my afternoon liking BBQ posts, American country music sung by Japanese artists, and generally exploring what that particular corner of Twitter (no it’s not TPOT) has to offer.

Americans have a lot of love for the Japanese, their culture and their way of life. Weebs are a large American subculture. Probably larger and more vocal than say Francophiles or Anglophiles. And as it turns out the Japanese like Americans just as much as we like them.

A cultural exchange of brotherly love between citizens of two very different countries is a wonderful change of pace from the toxicity of culture warring and actual war. Just look at the comments on a post with Americans well wishing a Japanese man battling cancer.

I don’t care even one iota if this is a deliberate algorithmic change that I have thrown myself into but it’s nice to see everyone encouraging and happy. And I’m happy to see the friendship between our two nations.

Categories
Aesthetics

Day 1910 and Eyes at the Waldorf

I don’t wear makeup everyday. When the pandemic hit and life moved online, one could easily slap on a video filter and avoid the additional labor required to look professional as a woman.

I went from a life where wearing a full face of makeup was the professional default expectation to one where there was no expectations at all. People don’t like a world without rules.

That vacuum of expectations has been filled with even more intense appearance expectations. Now that “in real life” experiences have become luxuries, many social interactions have developed new norms in which cosmetics are part and parcel of expected manners and basic decorum.

Not all scenes have incorporated makeup. Technology is still relatively laid back about visible makeup but many have gone the opposite direction. Washington D.C. is a scene where professional expectations demand polish.

Maybe some of this is the Boomer expectations of television ready appearances or maybe it’s the constant Zoomer video recordings but this town likes a full face. A beat mug with a limp wrist as they say.

That means your face’s skin has multiple different layers from contour to powder, your eyes require eyeliner, eyeshadow and mascara and your lips are lined and colored.

I’ve enjoyed doing a “natural” look this week which despite its misleading name is still quite a few steps. The basics aren’t that hard though. Light brings a feature forward. Shadows move a feature back. Everything else is details.

I brought cosmetics for a few friends and one girlfriend who mentioned the cosmetic expectations asked me for some basic advice on eye makeup as she’s found it a nuisance and quite a bit of work.

I grabbed a few eyeshadow sticks and we popped into the bathroom of the Waldorf which was the home base hotel of the conference I’d been attending.

I will use brushes and powder eyeshadow palettes when I need a very specific look, but if I just need to be “done up” I like the ease of an eyeshadow stick. You smudge some depth into your crease and some light on the inner edge and you are good to go.

Two or three colors gets the job done. I use a gel twist up eyeliner just on upper line. I prefer lengthening mascara or tubing varieties as volume mascaras tend to drop fiber.

Demonstrating this process got us a small audience. The bathroom attendant was curious about the ease and speed at which this was possible. Nothing brings women together quite like the rituals and secrets of aesthetics. All eyes on my eyes and all hearts open to finding a new way to feel comfortable. That’s beauty to me.

Categories
Aesthetics Culture

Day 1907 and Blurred Velvet Glove in Their Iron Fist

I’m on what appears to be family spring break in Washington D.C. I have conferences and dinners and I think it’s lovely that everyone is doing their level best to get the county through the moment to a better end.

The cherry blossoms are in bloom, the weather is warm, and I am trying those trendy serum coral blush that are apparently in style. That’s code for every brand has a version and quality varies greatly. Also no one likes the millennial dewy white bitch. She is dead. So I must carry on with the a new look says Vogue.

The last 12 months have made clear that matte is definitely back, but it’s been rebranded a bit. Dry, cakey formulas have been swapped for ones that offer hydration while diffusing the look of pores and fine lines. The result is a velvet, satin, or cashmere effect that reads softly blurred.

Thanks Vogue! I am not entirely sure of what kind of events I’ll be attending this week but more than one is the sort of where you want to look up to the moment and polite.

So I’ve been playing with new foundations and lipsticks and putting on spring dresses. It’s a lovely way to spend time the first weekend of spring.

I do see a way forward if we can focus on the ingenuity of American people. We are the end beneficiaries of a host of technological innovations that we paid to produce. I see new kinds of ways we could use that compute in clever and intermediate ways. Maybe I’m an old cyberpunk but banks are now with us.

So I try to remember the changing of trends are are also changing realities of how we must remember the coalition to take compute and speech from Americans is doing everything it can by making you afraid.

It comes from a patrician sense and you want to question if it passes your shit test. I don’t think anything good comes from believing scare tactics. We’ve had a good example of long forecast expert doom being completely wrong.

Which is probably why there are still magazines at all, if life were changing so sharply maybe we would still have a Vogue to tell tell us that it’s nice to have a smart sharp gloss that blurs to matte.

And it’s nice to have a Sunday with blousy colorful dress with the perfect handbag. It’s just a nice spring day in any city. This one is just right on time. Montana might take a little longer to get to spring dresses.

Categories
Aesthetics Culture Politics

Day 1876 and Phantom Futures Past

It’s just clear that some people are enabled to bigger, better and faster output thanks to rapidly advancing tools coming from the foundation model companies.

Will Manidis is on hot streak of essay writing (aided by artificial intelligence in the best way) and has produced thought provoking writing at a great clip. I love nothing more than seeing an exited founder feel free to express their views at their fullest. I’ve written about his essays in the past and suggest following him.

Today he wrote about visiting Oman and his reflections on its transition to a modern state by a singular leader choosing a third way way of building rather the binary choices other nations seem to have made between of annihilating the past for the future or total preservation of a way of life that no longer functions.

“I left with an unsettling feeling that I had seen a vision of the future that I wasn’t supposed to see. A country that had gotten extraordinarily wealthy but stayed coherent to its pre-industrial identity—a country that didn’t turn into a museum, didn’t paralyze itself in amber, but became a modern, functioning, wealthy nation that did not feel like it had been strip-mined of itself by the money.

In the West, we really have convinced ourselves there are only two options for our post-economic future. You can be Shenzhen or you can be Athens. … Shenzhen is the city that chose money over place so completely that it deleted itself.

…Athens is the opposite failure, and I say this as someone who is at least Greek enough that I feel like I won’t offend anyone. Athens chose place over money so totally that the city itself is a mausoleum”

A photo from Will’s tweet essay on visiting Oman

I don’t know much about Oman and I make no claims to understanding its politics or histories but I too think about what we lose without a sense of place but am also fascinated by the liminal zones of the hyper future set against a past we are actively forgetting. And no nation is immune from this process.

I do however have two books to recommend if the topic of place, continuity and the future interests you. One is a work of fiction and one a photography compendium whose forward was written by my favorite author.

Photographer Greg Girard’s work documents Asian cities in transition, especially Shanghai and Kowloon, was closely associated with William Gibson, who wrote the foreword to Girard’s book Phantom Shanghai. Gibson is the father of cyperpunk. And I contend that his near future fiction gets quite a bit right about how close the dark past is to almost arrived future. These images were shot in 2007 and yet the outlines of the super cities was already energy

One of Girad’s photographs Phantom Shanghai

The other book is a work of alternative historical fiction in the vein of Philip K. Dick’s Man in the High Castle called American War by Omar El Ak. It is premised on an inverted or “reversed” 9/11/War‑on‑Terror in which American bombed a thriving Dubai.

The premise follows a protagonist’ traumatic life as a a radicalized agent of terror preyed on by different foreign influences living in a refuge camp in what was once Georgia.

It rhymes with both Will’s essay and with William Gibson for me. In a review of the book, they quote Faulkner “the past is never dead. It’s not even past.” And as these examples all show us, cyperpunk was born in Some Dark Holler

Categories
Aesthetics Politics

Day 1852 and The Nothing

I did not have a good weekend. I feel the emotions of humanity’s current transitional phase too keenly. There are the wondrous upswings of hope and deep darkness that consumes anyone who bears witness.

I feel compelled to bear witness. Even though I know it harms me. Even when I know I am staring into a war, purpose designed to push me into or out of the myriad conflicting agendas of state, corporate, faith and cultural powers. A thousand agendas who wish us submit to their will.

I wish I had the guidance of the generation who led the world through modernity’s war torn emergence into our current networked age. Without knowing our future, would they be able to use their past to help us see through the fog that clouds our present?

I find solace in the children’s literature made by artists who lived through brutal dehumanizing totalitarian regimes. They told stories with truths so clear a child could grasp them.

I return to the works of Tove Jansson and Michael Ende again and again as I try to make sense of what it means to be human. Ironic that I should find human truths in authors who wrote of fantastical worlds filled with whimsical trolls and flying luck dragons.

And yet truths that seem crystalline in fiction distort when I apply the lens of my present. I recall Corinthian’s 1 “Through A Glass, Darkly” and know I am not the first to have such troubles. I will not be the last.

Ende wrote a fictional formless entity called “The Nothing” in The Neverending Story. The people of the realm Fantastica voluntarily leap into The Nothing. It has an irresistible pull.

Worse still, the destructive phenomenon changes the Fantasticans who become lies in the human world. Fantasticans who are destroyed by entering “The Nothing,” don’t just vanish. They reappear in our human world as false beliefs, deceptions, and propaganda that people mistake for reality. The symbolism is clear.

When we suppresses imagination and our inner life, our “lost” fantasies don’t disappear. As in shadow theory, they return as toxic narratives, distortions, and myths that make people “blind” to the difference between reality and illusion.

I do not wish for any of us to kill who we are. We walk into The Nothing and whatever version of ourselves comes out the other side is not the truth. I can only pray that I am not willingly walking into The Nothing as I bear witness.

Categories
Aesthetics Biohacking

Day 1843 and Does Enya Listen to Herself In The Bath?

As a woo child of the New Age 90’s era of music, I love listening to Enya in the bathtub. Pure Moods and a hippie mother set a tone for bathing for the remainder of my life.

Alas in Montana we do not have a bathtub in any of our bathrooms. We have a hot tub but the chemicals bother my skin so I only get to enjoy a bathtub when I’m traveling.

And you better believe I have Enya downloaded on Spotify for those occasions even though I’m certain at some point we probably owned all of her music on tape and CD.

While I love the classics (who doesn’t want to sail away?) I had Wild Child come up as I was soaking up magnesium yesterday. Which is not a bad checklist for becoming present in the moment.

Ever close your eyes
Ever stop and listen
Ever feel alive
And you’ve nothing missing
You don’t need a reason
Let the day go on and on

Let the rain fall down
Everywhere around you
Give into it now
Let the day surround you
You don’t need a reason
Let the rain go on and on

What a day
What a day to take to
What a way
What a way
To make it through
What a day
What a day to take to
A wild child – Enya

I’m no wild child but I don’t need a reason to enjoy a bath or a day. Rest up and rejuvenate.

Categories
Aesthetics

Day 1793 and Shopping Around

Black Friday is somewhere between a global celebration of shopping and an affirmation of consumerism as a shared cultural value.

It’s easier and much cooler to denounce consumerism. There is more cultural criticism material of shopping in the genre of commodity aesthetics than there are laudatory treatises on say the bourgeois virtues of shopping well.

Most religions, and many flavors of political governance, focus on dangers of consumer markets and the dangers of overweighting and overvaluation of material things.

It’s just that if we look at the subject from a different direction, it’s quite clear that humans love to make things. Sure we focus first on shelter, food and water but we quickly use our excess capacity to produce. Climbing up Maslow’s hierarchy we look for ways to make things for ourselves and others. If we make surely we must use?

So much of our lives are dedicated to the making of things. We have children. We make tools that make the making of our needs easier and faster. We make art and music. We adorn ourselves with decorative objects.

So why is it that the consumption of the things we make as humans have such a bad reputation? If we didn’t consume adequate food we wouldn’t be able to reproduce. If we didn’t make and use shelter those offspring wouldn’t live to adulthood.

It seems to me that as in all things we make we do so as part of our commitment to being in a community with each other. A Buy Nothing Day may seem necessary when the balance tilts too far from making to consuming but each and every one of us is enabled to make wonderful things for each other. So go shopping if you like.

Categories
Aesthetics Culture

Day 1779 and Panic at Disco, Panic In The Waymo

I don’t quite know what it is about San Francisco but it’s just not my town. I love so much about it San Francisco. And it has much to love. But I’ll never love it the way it deserves.

I love what once represented in culture, technology and history, I love its portrayal as the epicenter of a certain kind of future. Whatever universe got us to Star Fleet Academy seems even if 2025 was pretty bleak for them too. Most importantly I love my friends San Francisco. It’s impossible to base a career on startups without spending some amount of time here.

But I just do not love being here for any amount of extended time. I find myself in an absolute misery adjusting to it every time.

Even when I lived and worked in neighborhoods with microclimates more suited to my preferences, I struggled. Dry, sunny and friendly is surrounded by gray, damp and miserable. And you can’t easily get out of where you live. Everything is 30 minutes away by car and the only way around that is biking.

The rolling hills in the 7×7 block that make up the core metropolitan area are a fair representation of my moods and the city’s fate. You can enjoy spectacular highs but you see the lows spread outward before you and it makes you question why you should have this unfair vantage point. Right up until you are trapped by the mountains at the horizon. San Francisco makes it easy to forget the rest of the world.

Some people manage to find an entire world here. I envy that. All I ever feel is hemmed in. It deepens whatever mood I am in, and heaven forbid I experience a depressive fit as you can roll very dark and deep here.

The expense, the hassle, the status games, and somehow (still!) the lack of women are all points in its disfavor. You can tell it’s a boom town because it’s where men seek their fortune and women don’t seek the men with fortunes. San Francisco is probably the best advertising for women seeking men beyond their utility. And they have tried importing the art hoes it just work. I promise it’s been tried.

Categories
Aesthetics

Day 1747 and Hyper Autistic Protestant Work Ethic Beauty Blog

I spent some time being really “in my special interest” today writing about why I think we should give more, and not less, time to beauty. I’ll post it to my new substack tomorrow as that will remain focused in subject matter.

Appearances clearly matter in every facet of life, but we don’t do much to help develop taste even as we face an onslaught of the hyper visual unrealistic world of short form video.

It’s all dopamine drips and quick hits that make it hard to develop taste of your own. At best you found algorithms that suited some things you could enjoy but sincerely held joy is rare. I’ve been able to experience many times and it’s now one keeps going in a cruel world.

I spent so much of my life beating the drumbeat of more access to the secret knowledge of the world only to discover again and again, that even if you offer up to the world pearls, not everyone will want them.

Or as my mother liked to say her Latin teacher said “I’m throwing pearl’s before swine!”

To appreciate the details is to recognize that layer upon layer of irritation worked to a finished pearlescent sheen which seems too delicate to truly show the process. That’s its beauty.

Each layer of culture is built by people who cares about details. And all kinds of details matter. Sometimes the details are financial. Sometimes aesthetic. Sometimes it’s noticing a very specific signal inside a very particular group and being able to admire the elegances.

I myself didn’t think I ever much went in for subtlety of any kind until I spent more of my time in mass markets. I’ve come to realize I was allowed to live without too much push on my own tastes for so much of my life.

And because I care about details, now I know I a stupid amount about the business of appearances because I worked at its heart.

So naturally I’d like to do more to share that knowledge as I realize it is maybe much rarer than I realized.

I intend to do it as a fun addition to my life as I experience so much of life through professional and personal interest in technologies. I’ve got aspirations for a world where we choice to work to be better. That requires a world where beauty can be cultivated in improving ourselves. so you can be certain I appreciate the angles of how we use the existing culturally technologies at hand to create the new ones.

Categories
Aesthetics Culture

Day 1737 and The Life You Save Might Be Your Own

I don’t know if high schools still teach Flannery O’Connor. I’m not entirely clear if we even teach American literature to college students anymore if I’m honest.

Reading literature for enjoyment seems to have been reduced to mostly pornography, but I suppose that’s what they said about D. H. Lawrence a hundred years ago so maybe I shouldn’t judge.

Why else would we read fiction if not for the vitality? And what goes from fiction to literature is a reflection of its time.

What it means to be alive, and experiencing the consequences of one’s actions, can feel pornographic if the subject is genuinely exposed. I’m not so sure the explicit and the erotic are any worse a subject than the base and the broken.

That is my awkward segue into the stroke of good luck which introduced me to French existentialism and Southern Gothic literature in the same year as a teenager.

Reading Albert Camus and Flannery O’Connor roughly contemporaneously stood me in relatively good stead throughout the years as to assessing how little we deserve grace in this truly absurd world. Great horrors in a Christian world are hard tests of faith.

As an aside, it’s funny how we ask about her racism and but I doubt an American would have a nuanced view of pied-noir authors in the French pantheon, but I’m not here to decolonize anyone. Have a hazelnut.

Human frailty is my point, and we justify a lot under that sad reality, even as it’s simply true we are all committing a litany of sin by existing.

Literature explores the quiet horrors that we are damaged people in a broken world. That is why we read literature in the first place.

If not for our search for our humanity, we may as well be consuming information via a machine synopsis of a bloated airport book. Thank goodness information pornography is rapidly becoming ever more déclassé than reading romantasy. Malcolm Gladwell may struggle with that one.

I think it’s fine to explore the vitality of human choice and our pragmatic darkness in the safety of fiction. Reality is often much darker. We could all stand to live our lives a little more, even if we are afraid of the shadows our actions cast.

And as part of that effort the first thing I’d drop is spending time on reading book length business explainers. Replace it with short fiction and the life you save may be your own.