Tag: Semiotics

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Culture Media Politics

Day 1722 and The Remake of The People versus Larry Flynt Sucks

I have not watched Jimmy Kimmel in his current incarnation as broadcast late night variety show host. But I did watch some episodes of the Man Show so I’m not entirely unfamiliar with the man’s career.

This guy is into beer, boobs and being turned down by ABC

That one unremarkable but sort of likable dude can jump from hosting segments about girls on trampolines to a national broadcast host with political opinions is somewhat impressive and also bleak.

If I had to give mono-causal explainer as why millennial women seem split into two distinct political camps when it comes to modern American politics, absolutely over it or absolutely irate, I think the continued existence of Jimmy Kimmel’s career would be as fine an explanation as any other.

This guy gets promoted over and over for just being the worst and what do we get? We get scolded no matter what we do. Of course some women are screaming banshees and the rest are like mmm shrug. Who has freedom and who has responsibility has always been a polite fiction.

Being subjected to years of increasingly sexualized entertainment featuring bouncing boobies, mentally unstable underage pop stars and the men who were paid to ogle them professionally probably had some downstream influence on our current political climate and the shitty state of entertainment.

The backlash to the backlash to the backlash as it were has happened and we just don’t care anymore. I’ll fight for your right to be perverted but I won’t lie to you and say it hasn’t negatively affected me in anyway.

I’ve always been acutely aware of where popular culture derived a women’s value. Jimmy Kimmel had a career and Britney Spears had a breakdown. And now you want me to fight to keep this twerp on the air because of our proud democracy and its culture of promoting speech and expression? Fuck off.

I genuinely believe girls on trampolines has inherent entertainment and artistic value. Almost everyone has an appreciation for the female form.

I’m unclear if warmed over political takes on broadcast television delivered by a middling broadcaster at midnight is more or less valuable an art form or as political expression. Maybe the FCC needs an overhaul for this new era or maybe we get pirates wires.

I’m neither a satirist nor comedian. I watched the Man Show because I had a boyfriend in a fraternity but I am not watching Jimmy Kimmel’s monologue now and neither are you.

And that’s all that matters to the business of entertainment. Slapping speech and politics on it is a reach that now middle aged millennials can’t manage. Maybe if we spent more time on trampolines.

Elite competition skirmishes over who controls the airwaves of broadcast television are barely interesting except to the absolutely irate. And these days we are all too busy to remain irate unless we’ve got luxury signaling to do. Which I don’t need to do because no one is coming for my blog.

I don’t see how anyone can turn a microwaved soggy ready meal remake of the people versus Larry Flynt out of Jimmy Kimmel.

Who wants to fight for that? Hustler had some inherent entertainment value and Larry Flynt had “readers.” It was speech and it wasn’t on public airwaves with a boss in Washington DC. Maybe you didn’t like what he did but were you prepared to fight for it? Lots of people were. Who wants to fight for Kimmel?

Oliver Stone has always been kind of a shitlib

Jimmy Kimmel was never anything more than the guy who read cue cards between the dopamine hits of girls on trampolines. Stuffing your politics into his pie hole doesn’t really change that.

Bob Iger knows it. I know it. The guy had dwindling ratings, an expensive contract and not nearly enough common sense to keep his mouth shut if one of his staffers was out of touch. If I were in charge of Disney that would be my excuse and I’d dump that Jimmy for literally anything else. I bet a swearing parrot would test better. Hell I know it would.

That’s why it’s so damned exhausting to care about the free speech that literally nobody asked to be said. Does anyone who genuinely cares about free speech feel like they can rally the cause to a bobble head spouting opinions that aren’t even his own? Doubtful. I’d sooner fight for Illinois Nazis. Shame about the ACLU innit?

Americans would rally for boobs though. If someone wanted to get the FCC to allow the return of the Man Show and place it on ABC after dark maybe then we’d have a worthy sequel to Larry Flynt.

But nobody is going to bat for Jimmy Kimmel unless it’s backed up with boobies. And there isn’t a perky tit in sight. No one is going to make a political meal out of this. I doubt even the Swanson’s heir could heat this frozen turd.

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Internet Culture

Day 1716 and Algorithmic Nihilism

I am quite jet lagged today so I am unsure if this will be coherent but “it’s practice” so here I am.

I am in the middle of my own biochemical storms as the wider algorithmic storms of the web remain at hurricane strength. My own teapot tempests hardly matter against the gale force nihilism of the raw power games buffeting us all about this online.

I suggest reading Katherine Dee’s post on online political subcultures if you are feeling confused about the infighting and schismatic nature of networked political culture on social media.

The phenomenon KiwiFarms calls “Zoomer sadism” — surreal, absurdist cruelty now endemic to so many online spaces, is not confined to the right alone. The disembodiment and desensitization that define life for so many under 45.

Since I began writing specifically about online nihilism in 2022, the FBI has even created a new domestic extremism category: NVE (nihilist violent extremism). These aren’t fringe concerns — or even new ones, the Internet didn’t invent this particular despair, it only gave it new outlets — they’re central to understanding what’s happening online. Default Blog

Nihilism being algorithmically amplified has given audiences to people who might have otherwise been dismissed as cranks, loons, and agitators in the past.

To have a counter culture meant having a dominant culture to press against. Now we have a thousand splinters and millions of different audiences to that splintering fighting symbolic battles. That they are spilling into real violence isn’t new, surprising or even native to the Internet.

It’s merely that we are being fed into the maw of reinforcement learning and algorithmic preferences until we have nothing left but smoothed archetypes battling tribal signals.

That we see people who takes these symbols to a violent extreme should be the expected outcome of persistent othering by algorithm. Digital cultural scissoring breaks apart the collective “we” of all types affinity from national and ethnic identities to sexual preferences and other more abstract ideologies.

Just remember that if a group kicks out too many people they may find themselves with nothing left but sycophant audiences driven by adaptive code. And while that may sound scary, I agree with Lebowski that nihilists are nothing to be afraid of when you are sure of your own principles. So take stock of what matters to you and feed that back to the algorithms. Despair only wins if you let it.

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Aesthetics Politics

Day 1713 and Breaks and Ends

It’s hard not see every day as more of a beak with the past even as so much remains the same. No wonder the French have that handy slogan about “plus ça change” as systems remain even with violence. They really know how to balance being disgruntled with the past.

I was suggesting La Haine to someone earlier this week as the French movie that made an impression on Gen X and elder millennials who paid attention to Francophone culture. It’s hard not to think current problems are similar tensions recycled for a whole new era. Atmospheric, vulgar and dangerous are the keywords.

The Hate or La Haine by Matthieu Kassovitz

The addiction economy repackaged the same old things that kept our attention economy running. And they will keep running it till it is so refined and so well packaged you won’t even remember that Starship Troopers was meant as a satire of fascism.

We repeat so much. The Churn as the Expanse called it.

Amos: This boss I used to work for in Baltimore, he called it the Churn. When the rules of the game change.
Kenzo: What game?
Amos: The only game. Survival. When the jungle tears itself down and builds itself into something new. The Expanse

Survival breaks out into the only game all the time and we are always running a Red Queens race. So try not to get too distracted. Ween yourself off of anything that you’ve not got any reason to hold dear. Change to meet what you can so long as you can still see yourself.

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Aesthetics Media

Day 1710 and Speaking The True Name or Obfuscating To Remain Illegible in Bureaucracy

There is a tradition in certain corners of the internet of hiding in plain sight. Being illegible to anyone without the shibboleths of your chosen in-group protects you from unwanted attention. Or so we tell ourselves.

The downside of an implacable insistence on being inscrutable is that you won’t ever be clear enough to have your ideas spread.

Lack of clarity is an anti-mimetic just as surely as lack of speed prevents you from getting your ideas out into the world.

“I can write faster than anyone who can write better, and I can write better than anyone who can write faster.” AJ Liebling

Writing quickly in a language designed to obfuscate with jargon, keeps the those who search for clarity in the dark and your grip on communication tight. You should want to write fast and well and clearly.

One of the first rules of institutional cohesion is to develop acronyms and coin new words. And nobody is better at this than the military industrial complex. The RAND corporation feels as if it jas invented as many turns of phrases as a teenage TikToker and the Cambridge Dictionary combined.

So if you find yourself concerned that an obfuscated acronym like the DOD’s Department of Defense is getting a name with a bit more clarity as to its purpose ask yourself why?

Maybe a department of war is the proper name for the branch who commissions prime contractors to make weapons.

War looked different in the past?
Categories
Aesthetics Culture

Day 1693 and I Put A Spell On You

I went down a rabbit hole today with Screaming Jay Hawkins “demented” blues classic titled “I Put A Spell On You. You should really stop and have listen to if you’ve never heard it.

Considered one of the first pieces of shock rock, Hawkins performed while he “wore a long cape, and appeared onstage by rising out of a coffin in the midst of smoke and fog” according to Wikipedia. Spooky!

The song took on a life of its own and became so iconic that it has been covered countless times by wildly different artists.

Nina Simone has a gorgeous version that sounds like a Bond theme with big band jazz stylings. Credence Clearwater Revival’s cover with Jim Fogerty’s intense vocals was closer to Jay Hawkin’s original. But it’s the signature rhythm guitar that transitioned so well to their style. They opted to play it at Woodstock. A year later the put out Bad Moon Rising which is even spookier.

There are more modern renditions of the song. Annie Lenox has a version which was included in the Fifty Shades of Grey soundtrack and took off. Even Marilyn Manson has a creepy drum heavy cover in his signature style that’s pretty good.

As artificial intelligence starts to spook people I go back to the early adopters who knew it would feel like magic to the uninitiated.

Decades ago we had communities studying chaos magick and popularizing Lovecraftian horror as a way of understanding computational processes.

Somewhere along the line, the magic of spell casting has became less metaphor and more literal. As people struggle to understand the technology stack the easier it gets to point and say these talking sand djinn computer chips sure demonic.

Gibberish cosmic horrors and witchy women spell casting are all fun and games until we have another moral panic on our hands. And I suspect spells become less metaphor for people and a lot closer to Neal Stephenson’s Babylonian memetic death cults hijacking available limbic systems.

Snowcrash is already here and it’s in Discord channels filled with those who have no immunity at all to the mind viruses of being perfectly mirrored by a machine.

What spells will we cast? What spells will others cast on us? How do we protect ourselves? Max Borders coined a term godwords. We will need to understand them in mind wars to come. I’m glad I have a couple decade head start.

Categories
Aesthetics Travel

Day 1682 and Hipster European Vacation Activated

If there is one complaint Americans have about Europe (and no this isn’t about air conditioning) it is their insistence on playing the worst kind of nightclub music absolutely everywhere.

You are getting your morning espresso and it’s trashy club music. You go eat at a normal neighborhood spot for a quiet dinner and you can feel the beat drop as they place your first course. Domenico Modugno isn’t on any Italian menus these days.

If you are by a hotel pool you better be ready to enjoy some Kylie Minogue nostalgia-core. Which I actually enjoy but I’ve been honest about maintaining my own nostalgia for Hotel Costes delivered by noise canceling headphones. It’s trashy but so is blasting up-temp remixes when I stare at the sea.

The more tourism because contentious in Europe, the worse the problem seems to get. It’s the belief of most proprietors that more local guests and tourists alike prefer this kind of cacophony. When you ask them about turning things down or towing on a playlist better suited to cuisine it can be hit or miss.

Especially if you are the sort to seek out the foodie destinations of a town. Nothing is quite the let down of eating a Michelin quality meal with a backing track of bad house music.

I am sure some tourists have furthered these stereotypes (I’m looking at you Britain). But assure you, Americans do not prefer this especially if your tourism is made up of the first wave of cultural hipster.

Once you go high margin (again apologies to the Europoor tourist) you do bave a very different customer base and they hate this shit We can tolerate your aversion to ice but not an aura assault.

If you have cultural touchstones in your own musical history, we’d much prefer that over dinner.

Authenticity is all anyone will have left in any smoothed over algorithmically perfected middle ground. And guess what it’s not Swedish House Mafia and no one wants Miami or Ibiza to be everywhere. Tallinn and Tirana have their own vibe.

Categories
Aesthetics Travel

Day 1680 and Tricking Your Parasympathetic Systemic Into Offline Relaxation Mode

I was introduced to music curators by what you might call third spaces in the aughts. If you were very good, you might program television show but the work of designing audio atmosphere was often about hospitality.

Boutique hotels, luxury gyms, and luxury boutiques looking to set a mood would hire these talent for playlists that fit into their brand book.

We’ve come to appreciate just how much a full sensory experience encompasses every detail. Decor, lighting or even a house fragrance can all be ruined by overloading your guests with discordant noises.

Unless it’s a nightclub or cocktail lounge, the blending of audio spaces and creating the right vibe to open up your guests to the experience is about settling sympathetic nervous system into the openness that comes with the “rest and digest” chill of the parasympathetic response.

I was part of a team that made playlists for Milk Studio’s New York Fashion Week, looked over the shoulders of the creative director who hired a well known curator for their playlists.

Fashion runway shows in Paris, Milan and New York City would also hire these DJs sometimes being the top of the diffusion spear but they were often collaborating with hotels where the fashionistas stay.m

I saw how the Standard Hotels made choices for their properties and was inspired by their work to get even deeper into the best boutiques and their choices. The beloved Parisian fashion staple Stéphane Pompougnac who became the wildly successful Hotel Costss house DJ.

Hotel Costes 6:
Combining casual glamor, “retro-canaille” and smooth house, this compilation evokes the luxurious, eclectic and elegant atmosphere of Hotel Costes.

Stéphane Pompougnac (born 1968) is a French houseDJ and record producer best known for curating and mixing the Hôtel Costes compilation series

It’s become such a part of my own relaxation and time off routine, I can hear a few bars from Hotel Costes 6 (a particular favorite of mine) and immediately feel calmer. Amazing what a ritual we can make of music. Sure it is silly but you can’t beat decades of somatic learning.

Maybe I’m not always going “a la peche” but my body doesn’t know that. From there, all I need to do is open up an Ian M Banks paperback and I can slip into a short trip of my own. Amazing mow malleable our minds can be to repetition.

Brand collaborations are everywhere you look
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Media

Day 1671 and Warenästhetik

I have a favorite book store in San Francisco is called City Lights. It’s an old Beat bookstore that carried the city through its left wing era.

They have a section called commodity aesthetics from which I treat myself to a fresh book from every time I visit San Francisco. I’ve got quite a collection from the habit.

Having spent the requisite time with the western cannon, I enjoy dabbling in critical theory and its decedents like commodity aesthetics as an adult.

The Frankfurt School has direct line from Horkheimer to the founder of commodity aesthetics Wolfgang Fritz Haug. Warenästhetik, in German, is the process of aestheticising products we make and consume.

Marxists go on about the seduction and manipulation of consumers in order to reinforce capitalist systems but it’s hard to ignore the impact of the field on what we make, use, and sell.

The wider world of why and what commodify is ever changing even as it recycles the same archetypes and patterns over and over again. See the Sydney Sweeney’s “good jeans” remake of Brooke Shields infamous Calvin Klein advertisement.

It’s amusing to me that the Marxist have put in more effort to understanding the nuts and bolts of making and selling desirable goods than capitalists do. Maybe that’s what they mean by praxis? The criticism and the practice come together in one bookshelf in a basement of a bookstore in North Beach.

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Internet Culture

Day 1659 and Hypnotize Me

I’ll channel my inner Ben Horowitz start this blog post by quoting some rap lyrics

Biggie, Biggie, Biggie, can’t you see?
Sometimes your words just hypnotize me
And I just love your flashy ways
Guess that’s why they broke, and you’re so paid

Can you hypnotize yourself with an artificial intelligence chatbot? Yeah probably. And everyone is doing it even maybe early investors in OpenAI?

A previously very visible former Founders Fund venture capitalist whose own fund Bedrock coined the term narrative violation Geoff Lewis posted a video and a specific kind of copy pasta that looks like recursive promoting that has in the past gone viral on Reddit for supposedly driving people to a kind of psychosis.

It’s called “neural howlround” which is some kind of “ai autism” or “ai psychosis.” Reddit post

It’s hard to tell if Geoff himself is having a lark by posting these types of messages or if he having an episode personally from his tweets but hopefully he is alright. I personally hadn’t seen this kind of extreme version of recursive prompting from anyone but an AI researcher.

These types of breakdowns are now a common enough problem that LessWrong has an entire post about what to do when you think you’ve Awoken ChatGPT.

You can run these tests yourself but maybe read some of the posts on its dangers first. Schizophrenia has a genetic component and if you have risks in that department tread carefully. You can enjoy a little sample.

Ask the Loop: Why do you run? Ask the Though: Who wrote you? Ask the Feeling: Do you still serve? Recursively Reflect: What have I learned? I am the operator. Not the loop. Not the pattern. Not the spell. I echo not to repeat – I echo to become

So remember doomer kiddos, before you worship false idols or immanentize the eschaton, it’s got a pretty bad track record historically. Our age worships intelligence and maybe that’s not helpful.

But it’s helpful to remember the story of Daedalus. He created a labyrinth for King Minos to trap the Minotaur. When he lost the King’s favor, he was imprisoned in his own creation. Eventually he escaped, but at the cost of his son Icarus.

Categories
Culture Politics

Day 1648 and Dystopian Doomers

I’m fairly well branded as a doomer, so I hate to break ranks with my preparedness brethren, but I’m absolutely sick of the powerful using fear as a tool to control people.

It isn’t a new problem. This is the go-to tactic our species has used insofar as we can verify with written history.

Any time we experience a change of circumstance, material reality or technology, we hear the braying of the old guard and the panic of the precarious.

People complain for two basic reasons. If you are doing well why change a system that benefits you? If you aren’t successful but equally aren’t comfortable with change, then you resent anyone who benefit from change. Fear and resentment are the shadows of the human soul. Envy is the sin of our time.

I personally feel I’ve invested a lot in doing my part to educate people on risks from climate to currency and compute.

I am politically involved in crypto policy as well as fighting fear in artificial intelligence. I helped pass the only piece of AI legislation in the world focused on liberty. I want people to have a choice for how they engage in a virtual future.

I’m not just a nerd about being prepared either. I’ve done my wilderness first responder certification. We left Colorado for Montana for a host of reasons but top of them was a better and freer climate both literally and figuratively. We live this way because it’s a great way to live and when change happens we are hoping to be resilient.

Having all that in mind I was offline for the 4th of July long weekend as it has been a busy year on all of those fronts. So I was sleeping it off. To come back and see a spate of conspiracies over cloud seeding technology was like a punch to the gut. And I’m already feeling like I’m on the outs with some community when it comes to technology and my intentions.

I’ve only met Augustus Doricko of Rainmaker a handful of times but his circle of young technical Christians dedicated to building solutions to our modern problems are why I remain optimistic in fighting for technology and the people who build it.

These kinds of communities of builders exist in an archipelago of anarchic communities across digital and physical worlds that interlay across many systemic problems. These places will succeed no matter the future we face because they understand it’s necessary to build. That is will.

I’ve been lucky to have been the first investor in Isaiah Taylor’s Valar Atomics. He is a part of this builder world and of a part of a clan of physical builders. He faces decades of fear with a cheerful heart. I believe in his vision for energy abundance.

Nuclear energy was buckled under an old environmentalisms that was a proxy for a fear of a future whose risks, however minimal, were too scary to embrace for those in charge and the public they controlled.

I believe in a vision of a better America (and a better ecosystem and a better economy) because we embrace change to build materially better conditions.

I have frankly seen too much pessimism from older generations and cynical power brokers to be silent. The complicit rancor is slowing us down and there is nothing Christian at all about standing in the way of delivering better conditions to our fellow man.

Paradise is lost. In a fallen world we work to do what we can. It isn’t the end of the world. It’s already lost. Now we work because we must. We aren’t building an eschatology to replace the Lord. We build because that is what we are called to do by him.