I recently decided to boot back up my Instagram account. I’d let it lay dormant for almost five years. A lot has changed since I stopped using it. I’ll withhold judgement on whether it is for the worse or not. Right now it’s mostly just modestly confusing. I feel like a beginner again.
Amusingly one of the first genres of advertisements I got was for Instagram editing tools. There is a whole cottage industry of paid applications that help you put together Reels and Stories.
Many of them are relatively sophisticated with templates that help you overlay text, audio, music and advanced video techniques. Being a creator these days requires a fair amount of sophistication so I’m not surprised to find $10 a month editing applications.
I am struggling to find to find the joy in the experience. It feels like like a lot more work to make visual content than written. Now, I grant that it didn’t feel easy writing at first either. Twitter was stop and go for me for years.
But Instagram is a more natural place for some of my interests like cosmetics and shopping. I want to give it a fair shake. And maybe I’ll find joy in the space with some time. But becoming fluent in the language of Instagram’s visual literacy makes me feel stupid. But I guess that’s what it feels like to be a beginner again.
Social media has given us so many ways to become fans. We have ever more content thanks the streaming wars. Give content a chance to live everywhere online and it will develop a fanbase beyond its intended audience. The internet gives small shows outsized impact.
I’m a fan of a Canadian comedy called a Letterkenny. It’s about a small town in Canada. It’s got people and their problems. It’s a very funny character study and has fundamentally warm and loving humor. I’ve watched every episode and the spin-off. I’ve taken a lot of solace in the very human nature of the show, particularly during the pandemic years when everyone felt far away from each other.
There is a phenomenon that is particularly prominent online called parasocial relationships. Someone creates art or a personality and it develops a fandom. Over time, the fans, through repeated exposure to a character or show, believe they know them like a friend. It is fun to be in the fandom. Enjoying art is a universal experience. I am a stan for Letterkenny. I’m in a parasocial relationship with the Letterkenny crew and it’s universe.
How deep is it? Well my husband and I recently ordered some Canadian chip flavor called all dressed featured on an episode of Letterkenny. The chip is, as the name suggests, every single type of flavor. It is salt and vinegar, bbq, ketchup (weird but crucial), and sour cream & onion. And it is absolutely delicious. As a Twitter friend said to me, it is the Dr Pepper of chips. It’s not for everyone but it’s spectacular.
All dressed ruffle potato chips
Because it is Sunday, I am taking a medically necessary amount of THC. I’ve had a gummy. And I thought this was a perfect moment to try the Letterkenny chip.
And it was indeed glorious. All dresseds is a chip made for the munchies. It’s got bite and taste and texture and it all rolls up into an experience. It’s a chip worthy of the extra attention of weed focus.
Now on Letterkenny there is a clique called the Skids. They are the weird kids. They are the hipster ones. They are the nerds. They are small town weed dealers. Asking me to pick a favorite on Letterkenny is like asking me to pick a favorite child. One of the Skids is Roald. He is a loyal friend but his own man. He definitely likes weed. I love Roaldie.
And I’m delighted to learn through my all dressed munchies Tweet, that the actor who plays him, Evan Stern, is following me. He likes the tweet. What a perfect way to enjoy a very specific kind of fandom. A parasocial relationship’s individual manifestation through social media. Now that I’ve made a big deal out of all this I should probably say hi to Evan. It’s going to be weird no matter what but it brought me a lot of joy. It’s good to be a fan.
I somehow missed watching the Mandalorian when it came out. My husband isn’t really into Star Wars and I’m a Star Trek person so as just missed it. I started watching it today for the first time and I’m experiencing it somewhat fresh of its original release context.
But I’ve got a vague memory of the culture war issues that it triggered at the time. Somehow Gina Carano got coded to team red and champion of the downtrodden right wing. I honestly couldn’t tell you why except I think she mouthed off on Twitter. She sacrificed her career as a main character on prestige Disney tv show for shitposting. She thought she had social latitude that she just didn’t when working for Big Mouse. Shockingly naive if I’m honest.
That somehow everything has a side in the culture wars is a real tragedy of our time. Because a couple years pass and whatever dumb stunt that got you put on team red or team blue probably gets forgotten. Normal people have moved on and the discourse gets digested eventually into common knowledge. Memory is a fickle thing. Madeleines and Proust or something in that direction.
If you are team red you go into an alternate universe where apparently being a dick with a right wing slant on YouTube gets you 50 million dollar media deals. I assume there are as many opportunities as now being on team red is a real badge of honor and whole media ecosystems arise because it’s an actual demographic. Shocking somehow to some people but I guess I’ve always lived adjacent to team red. I’ve be always known you could make money on that audience.
I suppose the real tell is that if you are team blue you don’t really change ecosystems at all if you pick their side in the culture war. You get to maintain your plum gig at Disney. You do not have Ron DeSantis gunning for you. I hear that woke mobs come to get you but I’ve never actually seen it in action. The worst part of my chaotic evil leftist Twitter bubble stops at Taylor Lorenz though I am aware that a murky left exists beyond Chapo Trap House and I know about Tankies.
It just seems so strange to take sides in any of this nonsense if your aim is to make a living as a performer. Sure maybe you can cater to one niche or another. But really isn’t the whole point finding the things that bind us all in the human experience? I always assumed art was meant to transcend whatever petty shit happened while making it.
I haven’t been on my Instagram account since 2018. I stopped actively posting in 2017. I’d become absolutely sick of the social media platform and the relentless aspirational influencer content marketing that had taken over my feed. I can’t say I’ve missed it, but I’ve decided to reinstall the application and begin posting again.
I’ve been a participant in the “creator economy” long before it had a name. A college friend set me up on a WordPress blog after a fellow student had written a piece criticizing me for being interested in fashion on campus.
I’d written something about designer denim in the competing school newspaper. My friend told me I needed to watch out as this new nemesis was going to ruin my Google results. From these petty seeds a fashion blogging “empire” was born.
I’d like to think having been there from the start of the creator economy counts for something but the harsh truth is that once you stop posting you tend to disappear from any social network. I stopped fashion blogging for my own enjoyment once I made it into a career.
During my girlboss years as the CEO of Stowaway Cosmetics being on Instagram felt like a part of my job. I had enjoyed it more when I wasn’t obligated to look cool. I remember 2012 Instagram fondly as a place where you followed photographers and fashion insiders at work. By 2016 it was loaded with aspirational lifestyle content. I felt like I all I saw was sponsored content.
Somewhere in that timeframe I racked up 30,000 followers. I don’t think I ever maintained anything remotely professional. It was just pictures of whatever was happening in my life so the usual mix of food and travel. It didn’t seem like a huge loss to walk away.
Oddly even if my follower count on Twitter isn’t actually that much larger than my Instagram account I feel like I’m much more influential there. I’m better with words clearly. I am a shitposter so it always felt lower stakes. And maybe that’s why it’s less of a burden in my mind. I do Twitter joyfully.
But I’m going to experiment with Instagram again. I’ve got visual things in my life that are worth sharing as I’ve now got a totally new aspirational lifestyle. I’ve graduated from fashion influencer to doomer optimist. Homesteading and cozy farmhouse is it’s own aesthetic and maybe I’ll enjoy sharing mine. And I’ll admit that I’m not at all above coveting back on gifting lists. I guess if you enjoy that sort of thing find me back on Instagram. Or if you want to send me some free stuff I’m open to getting back into the SponCon game.
I began my long many legged journey back to Montana at 5:30am GMT+1. Most of my west coast friends haven’t even gone to sleep for their Friday nights as I set off before dawn on Saturday. Time zones are fun.
Journeys home make for a great narrative arc as we follow our hero from foreign lands back to his or her native land. My home is Montana so the trek from Prague is many legs and transitions.
Vaclav Havel Airport 5am in snow
She knows, now, absolutely, hearing the white noise that is London, that Damien’s theory of jet lag is correct: that her mortal soul is leagues behind her, being reeled in on some ghostly umbilical down the vanished wake of the plane that brought her here, hundreds of thousands of feet above the Atlantic. Souls can’t move that quickly, and are left behind, and must be awaited, upon arrival, like lost luggage.
The first quote that comes to my mind is William Gibson’s theory of jet lag from Pattern Recognition. My soul finally caught up with me in Prague and now I’ll be waiting on my soul tail cruising behind me as I cross a continent, a channel, an ocean and another continent. I’ve got no lost luggage but a lost soul is a perpetual risk of globe trotting.
I used “The Voyage Home” as my title as it happens to be tied for my favorite Star Trek movie (along with Wrath of Khan). Yes, it is l own as “the whale movie” in which a pair of humpback whales must be brought from the past to save Earth. It is called the Voyage Home as Spock is being brought back from Vulcan by his crew after a death and rebirth sequence.
Trailing souls and rebirths are satisfactory metaphors for traveling. We work to maintain our sense of self even as our surroundings change. Sometimes those changes are transformative.
And like Spock I am stumped by a key question. “How do you feel?” Unlike Spock I do not fail to understand the nature of the question. I am sad, ashamed, angry and tired after the second visa failure. But if I must imitate everyone’s favorite Vulcan, you can tell my my mother I feel fine. Or I will soon. I am knitting together the timeline of my future with my soul in tow.
If you have ever stayed in an airport hotel or a particularly standardized corporate hotel, you’ve encountered the grand global homogeneity of acceptable hospitality.
Airwave bedroom at a Marriot in Prague
This aesthetic owes a debt to Silicon Valley and the way we’ve sanded off peculiar edges and smoothed over individual characters to make the real world’s brand book as consistent as our virtual ones. It’s called Airwave.
If you travel enough, you find the aesthetics comforting eventually. As if your entire palette or taste profile was subtly sifted into the window of preferences set by an art director at an advertising agency in Brooklyn or Amsterdam.
Soothing sameness
Sure you seek out newness and novelty, but also you are glad for the suite at the just nice enough Marriot which delivers you a club sandwich with a request to room service. Remember when Jonny Mnemonic screamed for room service? If you are of a certain age I bet you do.
Ah the height of luxury for a data currier criminal of cyberpunk legend is now the expected outcome for the rootless cosmopolitans. Who is to stay which of us as a worse dystopia?
Living in Montana means I have no shortage of excellent beef. I’ve yet to have a bad steak or even a mediocre burger when I’ve shopped locally. Grass fed free range Montana beef is a luxury that is worth it.
I’ve got higher standards for meat because of it. So it was a very pleasant surprise to discover that the Czech appear to have the same affinity for meat as Montanans. I had some truly excellent beef in Prague. And I didn’t even eat a single steak. It was all peasant working class cuts.
Obviously I made time to explore beef goulash while in Prague. It’s not made with expensive cuts of beef. It’s generally Chuck or round. It’s stewed to be tender. The goulash I had at Pilsner Urquel was less than $20 and was absolutely stellar. I don’t drink but the few sips of dark beer I had cut the fat and spice perfectly.
I also I unexpectedly had one of the best burgers of my life at a butcher’s shop called Naso Maso. Their beef comes from Czech Fleckvieh cattle and is butchered in Jenc by hand. The shop only has a few seats but you can come in and order a burger to be grilled on the spot.
Naše maso cheeseburgers
Blessedly the Czech don’t have the same regulatory habits as the Germans so meat can be served rare. Nothing is worse than overcooking a hamburger in my book. Smash burgers were clearly invented to sell low quality beef. The Maillard effect isn’t enough to overcome the fact that it is lower quality.
It’s a real pleasure to enjoy exceptional beef from people who clearly appreciate everything about the nuances of the execution. Montanans and the Czech clearly share similar values.
I’ve been rewatching the excellent Amazon adaption of William Gibson’s The Peripheral. I’ve said if before, no single artist has had a bigger impact on my aesthetics than Gibson. As the father of cyberpunk, his impact looms large over the computing industry.
Molly Millions is a cyborg in William Gibson’s Sprawl Trilogy which includes the famous Neuromancer. A dark brunette, she has mirror shade eyes and razors under her nails. Molly is first introduced in the shorty story Johnny Mnemonic which became a Hollywood thriller with the same title. In the movie, Molly is renamed as Jane but is fundamentally the same character.
The cover of William Gibson’s Neuromancer with Molly Millions.
In Johnny Mnemonic the movie we have an entirely new aesthetic for Molly Millions as Jane. The brooding inaccessible brunette of Molly Millions is replaced with a curly haired blonde played by Dina Mayer.
Dina Mayer as Jane in cyberpunkstyle. On the far left, a strong jawed and sharp featured Jane in a cyberpunk barDina Mayer as Jane
I personally loved Dina Mayer’s energy in Johnny Mnemonic. She brought a kind of girl next door folksiness that brought a lot of humanity to the problems of being a cyborg. She was light where technology dictated a darker aesthetic. Cyberpunk needed a Betty.
I assume some of this is related to the creative direction of photographer (of Men in Suits fame) Robert Longo but it could have easily been Dina Mayer’s rising star in Hollywood. She was the star of Starship Troopers as well.
I hadn’t thought much beyond it until I watched the Peripheral.
But now all I can see in the Peripheral is how much Flynn Fisher (as played by Chloe Grace Moretz) looks like Dina Mayer’s Jane. In my fantasy, it’s like I’m seeing the first woman Willian Gibson ever loved. It almost makes a romantic of me imagining a world where a curly haired blonde mattered to him. But the essence shared by Moretz and Mayer is hard to deny.
Chloe Grace Moretz as Flynn Fisher
Chloe Grace Moretz as Flynn Fisher
Chloe Grace Moretz as Flynn Fisher
I see a lot of little similarities between the two actresses but it’s ultimately the affect. The bold lip and the harsh pulled back hair is contrasted in softer moments with wild curly halos and warm inviting features. Flynn is a southern girl. I’ve got no idea if Jane had a heritage. But now I’ll always wonder why the dark mirror shaded women of Neuromancer became a blonde.
I took some time to go wandering today. I’ve been in Prague for six days but it’s been such a mess I haven’t actually felt like I’ve been in the city.
I like to get to know cities by walking. If I’ve only been in a cab or an Uber I don’t have a sense of place. I need to walk to feel like I’ve landed in a place. While I love a good resort destination now and again, I find it hard to feel grounded without being able to roam.
I wonder if being raised in a small town affected this at all. I wasn’t really a suburban kid. We had suburbs in my town but you still went to a downtown core where kids would walk from the library to the high school to the pedestrian mall. Walking was entertainment for my teenage years.
Now as an adult I find nothing more liberating than just walking for as long as you can. Being wedded to a destination or a GPS mapped route feels too much like having to do something or be somewhere. But wandering around with no place to be tastes like freedom. You are still in charge of your own life if you can go for a long walk with no purpose.
My second attempt at a securing a tourist visa for a friend failed this morning. If you’d have asked me a few years ago if I thought the American immigration basically worked, I would have agreed that, sure I thought it probably worked ok. No reason to think otherwise right? Phew I was wrong.
I’m ashamed I was such a sucker. I thought we would still do the basic work of being a functional state. I’m ashamed that America treats people who want to visit us this badly.
We have well off, interesting, curious guests that want to explore our culture and spend their time & money seeing our land. We spit on our guests by turning away anyone who isn’t on a Schengen or ESTA waiver. You probably think that includes most people. I did. But we are wrong.
Only 40 of the 195 countries on the planet are granted travel visas without going through the visa embassy approval process. Most people have bad passports. Latin America, Africa, the Balkans, the former Soviet blocks and most of Asia have “bad passports” that require a tourist visa that requires years of waiting for appointments and almost assured disapproval at the Embassy.
I’ve never met a system so broken I couldn’t find a workaround. But here I am at the of my workarounds in tears at how I’ve let down my family and friends. The visa I’ve been helping with was denied a second time today after waiting since March for a second chance to re-apply. That first meeting at which we were also denied also took years of waiting.
And it is getting better. This round after flying to Prague, we got two minutes instead of thirty seconds in Frankfurt. In those minutes they still didn’t look at any of the materials prepared. Just a generic we don’t like the look of your people rejection. We got some boilerplate language about strong ties or weak ties and no we won’t read the 200 pages of supporting documents you brought.
I was a mess yesterday about how afraid I was we’d get down turned down again. But I thought surely I was being too paranoid. The lawyers we paid thought we had a good chance. We’ve brought everything possible for paperwork from mortgages to W2 forms. I’d taken personal financial liability for our friend. I let the government have an invasive look at our finances. I gave the consular offices the deed to my house. I worked for months to get a Congressional letter asking for a fair review of the application. None of it was reviewed.
Now in the aftermath, I’m not even sure if it’s possible to get a consular officer to do a fair review. Our congressional representatives wrote the consular office and they send back boilerplate with no details. No one reads the applications I guess. We can apply again. And again. But would good would it do?
