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Culture Emotional Work

Day 1266 and Advice Is A Form of Nostalgia

There was a Baz Luhrmann song “Everybody’s Free” that became popular at graduations for millennials. It was delivered as advice for the class of 99 and became a cheesy but heartfelt touchstone for many millennials celebrations.

It is a tearjerker and contains some useful insights on nostalgia and advice.

Be careful whose advice you buy but be patient with those who supply it
Advice is a form of nostalgia, dispensing it is a way of fishing the past
From the disposal, wiping it off, painting over the ugly parts
And recycling it for more than it’s worth

But trust me on the sunscreen

Everybody’s Free

I had sunscreen on my mind when consider its wisdom, I was trying on a new SPF tinted moisturizer as I dragged through my morning routine tired from 3 weeks of Covid. I tweeted a one off idle thought about the nostalgic advice I’d been given about how to live my life.

It’s amusing to me that two of the biggest cultural trends for women in the 2010s, Marie Kondo’s “spark joy cleaning” and Sheryl Sanders’s “Lean In” got immediately tossed the moment their life circumstances changed.

If there is one thing the internet agrees on it’s that life is always more complicated than 140 characters. Coming to terms with we feel about the advice and cultural stories we were told is a touchy subject online. Even more so when it comes to what women should be doing.

We all have ideas about how we should be living that come up hard against the realities. It’s a comfort to think anyone has living figured out. So much has changed and at such a rapid pace that we are looking for new scripts. It can be kind when someone offers you a solution. Let us take what lessons we can from the past as we seek the future.

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Aesthetics

Day 1262 and Cost Per Wear

Many years ago I maintained a spreadsheet of my wardrobe so I could calculate out my “cost per wear” because I am that sort of nerd.

Fast fashion was coming into its own in that era but I did work for retail luxury so with employee discounts and access to sample sales I acquired the occasional $900 Italian leather good. Keep in mind these were late aughts prices.

It comforted me somewhat to see that I got so much use out of those boots (getting the cost per wear into cents) but that the H&M trend item got work a handful of times. I felt a need for my style to work for me which is a design preference many a working aesthete can appreciate. It helped to see what integrated into my life laid bare.

The irony being fashion I got from Zara in 2010 and some of the older collaborations from fast fashion retailers remain better quality than what you could get from an LVMH luxury house now. We’ve had quite a bit of price inflation while any pretense to quality has gone a bit to the wayside.

Much of the work of looking stylish can be defrayed with simply spending more but taste is the sort of thing can be cultivated through experience with limits. Having a budget and an understanding of what you are trying to achieve can be a valuable tool in almost any domain.

Categories
Culture

Day 1259 and Cooler Than Me

I was once (devastatingly) told by an ex-boyfriend that the song he associated with me was Mike Posner’s Cooler Than Me. He felt I cared too much about taste.

This wasn’t an unfair assessment as I was working in fashion at the time and maintained all the intellectual pretensions of being a antiquity obsessed fresh out of Chicago Austrian school economist devotee. A capitalist with taste isn’t really a likable figure.

Twitter mutual Tracing Woodgrains (himself a frequent commenter on the value of beauty and taste) suggested reading this essay in the American Mind about the cultural flaccidity of conservatism and their taste problems.

Reading the essay, I thought it a shame that the taste problem that clearly plagues the right goes on unabated. They tolerate losers with bad taste. And they carry on about how they are losers which further salts the wound. It’s not the kind of commentary that suggests their culture is worthy of dominance.

I am privy to the occasional conversation on this subject as I being crypto libertarian I am bit of a neutral in the culture and institutional wars between progressive and reactionaries. At a dinner of mostly internet dissident right wing types, the topic of being losers was aired.

The host, a clear winner from the ascendant investing and engineering autist culture, rightly pointed out if conservatives wanted to align their fortunes to winning cultures (it was implied like Silicon Valley was a winner culture) then the right wing too needed to become winners. I fear that advice fell on deaf ears. It’s hard to tell someone that being a loser is a skills issue.

Libertarians get a kind of drop out “smokers behind the bleachers” kind of cool in America. The lower case libertarian of the philosophical bent not whatever big L party apparatus that might exist. Those guys are all losers.

The “fuck the Fed” constitution carrying types have a lot that is likable and winning. Fighting civil asset forfeiture, and for marijuana decriminalization, first and second amendment protections, and bodily sovereignty are winner issues across different constituencies.

To go against the grain of big government pieties of both left and right is to resign yourself to being on the outs pretty regularly by disagreeing with both sides but to rest confidentially in the cool of knowing you hold your ground.

To be on the outs means you retain a crucial aspect of cool. You aren’t the mainstream even though you benefit from not being made its enemy no matter who is winning.

Casablanca is libertarian coded and undeniably cool. Seeing the fallen world as it is and having the balls (or backbone for those with delicate sensibilities) to live your own life is an act of bravery. To have own opinion amongst sinners and saints is fundamentally to cultivate and know your own taste.

That returns me to the essay by Spencer Klavan “A Matter of Taste” that kicked off my response.

If we’re serious about a revival, we are going to have to accept the inherent risk and unpredictability that comes from letting artists see the world before they judge it.

In turn, we are going to have to learn to suspend our own judgment long enough to see what the artists bring us for what it is. In other words, we will have to cultivate a little taste.

If we do not know our own taste we can hardly know the line at which we draw the boundaries of civilization. To know what we value is the point of cultivating taste. To hold on to the standards you’ve set for yourself is to hold yourself up to others. To live this way in action and through your own revealed preferences is to say “this is what I value” in my actual life. If you can’t do that, then you will always be in danger of having someone they are cooler than you. And a loser might care.

Categories
Culture

Day 1228 and Fabric of Our Lives

I love cotton. In my Waldorf third grade, our year long class project was to plant, grow, harvest, gin, card, spin & dye cotton. Along with a similar wool project, this childhood experience instilled a love of fibers, fabrics & textiles in me.

Early in my career I crashed textile trade shows like Premiere Vision which is where I fell for the extra long stable fibers of American grown Pima cotton. Cotton remains a big business in America. We’ve got trademarked cotton like Supima is sold as a luxury fabric.

From the Supima cotton website

You’ve probably seen the work of organizations like Cotton Incorporated. Catchy campaigns like “the fabric of our lives market cotton with the United States Department of Agriculture’s commodity check off program.

The Agriculture Marketing Service of the USDA oversees efforts to improve the position of various commodities produced in America. Other campaigns include Got Milk, Beef: It’s What’s for Dinner, and Pork: The Other White Meat

All commodity producers & farmers must pay into the check off program and it amounts to almost a billion dollars of mandatory spending. As you might imagine this system has had its share of controversy and corruption.

It’s not all sloganeering according to Cotton Incorporated.

We work to make cotton the best it can be through research, textile innovations (like water- and wind-resistant cotton apparel and moisture-wicking, wrinkle- and stain-resistant cotton), and sustainable advancements like finding new uses for cotton and cotton byproducts, reducing land and water usage, and modernizing agricultural processes.

We make sure you know about all of cotton’s amazing benefits through advertising, retail and influencer collaborations.

You might be annoyed to find that American cotton growers are obligated to pay into a government marketing program which underwrites social media influencers.

Cotton is the most popular natural fiber in the world with 25 million tons a year produced so it’s perhaps not unexpected American has an incentive to promote it as one of our commodities.

Cotton is crucial natural fiber which means it has its share of a controversies as commodity for things like its water & pesticide use and genetic engineering to withstand the herbicide glyphosate.

If you’d like to learn more about cotton and its history Empire of Cotton and Cotton: The Fabrice That Made the Modern World are both comprehensive. I personally recommend Virginia Postrel’s The Fabric of Civilization for a broader appreciation on how textiles drove crucial technological innovation of our species.

In The Fabric of Civilization, Virginia Postrel synthesizes groundbreaking research from archaeology, economics, and science to reveal a surprising history. The cloth business spread the alphabet and arithmetic, propelled chemical research, and taught people to think in binary code.

This thesis suggests to me that fashion bitches are one of the original tribes of technology brothers. To care this much about the feature sets of a base layer clearly marks us as nerds. So I’ll finish this up with a personal anecdote.

I am furious at a brand of upper market cotton basics called Splendid. I’ve been buying the same long sleeve classic tee-shirt from them for at least a decade. It claims to be a 50% blend of Pima cotton and Modal. Both are considered premium fabrics with long fibers. Modal is a semi-synthetic developed in Japan made from beech trees. There are many grades of both fibers Splendid could source and in the past I’ve found the tee to wear extremely well. I’ve got a half dozen that never pilled, held its color & shape, and gave me years of wear.

Last month I bought three new Splendid tees as I becoming fearful of the downward trend in quality of manufactured goods. I’ve been trying to stock up on basics I’ve relied on in the past. Alas it would seem my most reliable shirt in my favorite fabrics has come to an ignoble end.

Splendid no longer manufactures with premium extra long cotton fibers as a new shirt pilled & caught onto other fibers in my tee shirt drawer.

Categories
Aesthetics

Day 1206 and Appearances

I have come to enjoy the logistics of self presentation. I used to resent the extent of the labor that could go into cosmetics & fashion when I worked in the industry. Now I can enjoy having put in the long hours to have acquired my skills.

I’ve put a lot of thought into how best to pack a bag. Handbags are a sort of Boy Scout style training for young women in that “be prepared” has come to mean having all the tools of the trade of femininity neatly stowed away in a stylish purse.

These obsessions with what we have in our bags runs from the Queen’s Marmalade sandwiches to whole cultural industries producing #WhatsInMyBag as identity politics. Men do it too but “go bag” sounds tactical and thus somehow more serious. It’s not.

I’ve written extensively about my mixed feelings on packing & travel in the past, so it’s nice to have enjoyed that struggle and be able to now aside if I so desire. Packing a bag well has become a thing in which I am expert and that’s a lovely feeling.

The pleasure of negotiating the logistics of appearance can be a game to me now in a way that simply wasn’t when I was younger and struggling. Now when I don’t need to be perceived in a positive way to survive, I can enjoy the problem of optimizing for a giant game of “what am I saying without words” and more importantly “to whom?”

I’ve come to enjoy packing as the self soothing experience in a rapidly changing world. I can control some aspect of what I show to the world. It becomes a design problem. The three bag cascade is now a savvy way to manage airline chaos. The labels on my packing cubes become a pleasurable prayer ritual as I not so neatly write in cursive “black sleeve tee-shirt.”

I like the challenge of imagining the multiple social, professional, cultural and geographic flows I might navigate. Will I be able to manage the many different ways in which I might encounter other humans while they also live through the same set of fears & uncertainties of 2024? It can be terrifying (personal safety is a factor) and yet it’s absolutely a skills issue to navigate these things.

And so I ask “do technical fabric wrap dresses send the right message” or would I be better suited in cotton or silk if I’m in a desert? How about adding in semi-tropical humidity as a potential variable?

Every decision in how I pack a bag can represent a small marker in my perception by others as we manage this ridiculous system we inhabit together. It is a social game and everyone is playing. You might enjoy learning some of the rules too.

Categories
Homesteading

1185 and Hobby Horses

It’s a lovely Saturday in Montana. The sun is shining which helps cut the otherwise brisk gusts of wind. It just seemed like a day to enjoy life.

Our dirt drive has finally dried out a bit so we went out for a walk to get some sun and check the potholes.

My husband and I went to town for some errands and stopped in for a burger at one of Montana’s unique liquor store, casino and bar combinations.

They are legacy of prohibition and overly involved governmental regulatory authorities. Montana has a government monopoly on all liquor stores.

For such a libertarian state, the alcohol laws seems a bit baffling. But one of the best burgers in town can be found at the bar inside the liquor store. It feel like any sports bar that leans towards country and western tunes. America is an amazing place.

Waiting on our burgers at the bar

And because we are also yuppies we went to get groceries at the local food cooperative of which we are members. My inner hippie loves getting her Dr Bronner from the bulk bins. We went a little overboard picking out some essential oils (Alex loves bergamot and I needed more lavender) and then ground of our not butters.

All the lentils and beans you could want

Having thoroughly covered the country and hippie portions of our day I came home to do some spring cleaning.

Moving from winter to warmer clothing isn’t my favorite seasonal shift. I prefer cozy cashmere and long sleeve black tee-shirts. But I have conferences and professional obligations coming up with travel so I tried out a new paid mobile application for closest organization and packing called Style Book.

I haven’t quire got the hang of it but the basic idea is to take photos of your wardrobe, tag it, organize it into outfits and packing lists and get more visibility into your wardrobe. I’ll have a to play with or more to get it polished but it seems like it has potential.

Categories
Media

Day 1184 and Discourse is Back but Sharded

The era of shared media narratives with simplistic framing and consensus seems gone. The information sphere is now like glass shards with many distinct realities according to Axios.

I think we have many more than twelve realities as class, politics, identity and material concerns overlap. The Internet has allowed all of us to develop esoteric and idiosyncratic knowledge. More types of reality are coming into contact with each other.

Because power laws drive the internet sometimes it seems like everyone is paying attention to the same thing all at once. We get crazily intensified reactions. People go absolutely bonkers over morality plays.

It was impressive to me to see New York Magazine create two intensely viral shared discourse moments in one week with their Dr. Huberman “scandal” and “the equally explosive “Age Gap Marry Rich” essay.

Being curious I looked up the editorial team and found it was journalists I recognized from my time in beauty and fashion. There was recipe for inducing cultural virality discovered by Teen Vogue in leaning into what is loosely call identity lifestyle. You experience culture like fashion or makeup through very specific symbols of interconnected identities. For some reason lifestyle choices makes people really crazy. It seems Lindsay Peoples the editor is a generational talent at evoking response.

The Cut’s new masthead changed from 2022

Categories
Startups

Day 1163 and Women in Tech

A lot of emotional energy has been directed at the “problem” of “women in technology” in the last decade or two. Stupid campaigns get run with degrees of condescension in which it’s insinuated the only way women could see the value in crypto is if we make a perfume. It’s the rankest form of sexism and extremely effective. And I’ve proudly worked in cosmetics. Chemistry is cool.

So today on International Women’s Day I’d like to remind myself that I’ve l been “in tech” since the moment I fell in love with a personal computer as a young teen. I’m on that edge of elder millennial that did things in the real world as children but had access to the virtual early.

Plenty of men mistakenly assume that because I worked in fashion, beauty and ecommerce. I was early before the ease of hosted Shopify accounts or even Heroku instances for an app. It was a lot more roll your own.

And yet some think my experience doesn’t count. Despite it being a clearly sign of capital markets having underpricing occasionally. Ifs a good thing. You go where market rewards you and you learn to learn skills along the way.

I think so much less about my gender now. Almost resent ever having been talked into it. You do it right then you, like an anyone else in the market, can benefit when someone misallocates.

If you are lucky enough to steward your own capital, then get to be part of the investor bases to build the next generation. I do that now. I am still a woman.

I’m proud to use the resources I have to invest in what I believe in based on my experiences and the thesis I invest under. Not as some smoothed over marketing narrative with a gender hook. No I price like an actor you can do business with. I am willing to show my revealed preference.

I learned in previous eras so I may serve the generation that is coming up. And I’m happy to invest in the ares I believe in most. I am happy as a woman to invest in men as I am in women.

The focus I see in founders I have invested in across energy, artificial intelligence and crypto are ones I believe in. I believe in them as people. I believe in them as founders. I believe in them as men.

I am lucky to be seen as an individual with capital and insights that can help them carry a better future forward. I hope all founders are seen as individuals.

Technology innovation has been the driver of improved human life. Material prosperity is good for women. It’s good for men. So I’ll celebrate doing stuff for the boys on international women’s day.

Alex Miller visiting with me at one of our favorite portfolio company Valar Atomics. I believe in Isiah and his team.
Categories
Aesthetics

Day 1118 and Distrustful Shopper

I am a good shopper. I know retail cadences and when to buy a product. If you want to know sales happen or new merchandise timing I usually know. I know manufacturing chains, sourcing standards and material costs across multiple categories. I loved working inside corporate retail and consider my time in cosmetics and fashion to be foundational to my approach to businesses.

This is useful context for what I am currently feeling. I’ve become a very distrustful shopper. Now I feel as if I’m starting from scratch every single time I need to replace an item even if it’s in a category I know intimately.

I’ve worn the same pair of simple black Gap 100% cotton sweatpants for as long as I can remember. They were roughly $30 and I’d get years of good wear. I’d reorder a couple pairs every Black Friday just to be sure I’d always have them.

It wasn’t easy but I could find them. I’d need to check what size (medium) and its name from the last order (always changing) but I’d almost always be able to find it. It drove me bonkers it didn’t maintain a consistent SKU (stock keeping unit) when it was clearly the identical product.

It got harder and harder to find. And then this year they appear to have stopped manufacturing them entirely. I’ve been checking in on the Gap website every couple of months this year and it’s just not re-appearing.

I’ve written about institutional distrust before. But there is something that bothers me about how even someone with experience like me just cannot purchase basic goods reliably anymore.

Shoppers have to relearn an entire series of sizing, merchandising, naming, and pricing cues over and over with no reliability on offer from even the most established brands.

If you like an item and it serves you well, buy another one immediately. Heck buy two. There guarantee that you will able to find it again in a few years.

Categories
Aesthetics Internet Culture Media

Day 1114 and Aging Without History

I don’t use TikTok at all. I have an Instagram account I’ve failed to reboot which I only open if a Groupchat sends me a link.

I deliberately insulate from algorithmic visual content. It makes you miserable for one. But more importantly, it deadens your aesthetic palette from overexposure.

If you want to develop and sustain personal taste and style, do yourself a favor and do it deliberately without the subtle nudging enforcement of refinement culture.

I do however avidly follow the propagation of different fashions as a personal interest. I like to see where a runaway trend goes as virality and social contagion set in. The New York Post’s entire culture section is dedicated to moral panics but it occasionally hits on real sources of social anxiety.

Gen-Z is allegedly having an anti-aging culture panic over turning 30. Their source on this is a Reddit post about skincare obsessives on social media.

“I feel like aging to Gen Z is what ‘being fat’ was to millennials. Remember how ruthless the media [and] everyone was about that?,” another noted.

Gen Z’s Fear of Aging NYPost

I still have anxiety about weight from living through the TMZ era of body shaming. So I’m sympathetic to what it must feel like to younger women facing the relentless scrutiny of living online. They rightly perceive appearances to be a part of how value is calculated in wider society and are afraid of losing it.

I’m convinced some portion of the extremely online Gen Z are living entirely out of the slipstream of historical culture. They consume artifacts from other people’s youth culture but live in a what amounts to a “long now” in which the future seems unstable. We rebooted 2003 as a micro trend but the apocalypse is almost here.

The nostalgia machine gives Gen Z an ever present history but very little present to hold onto for grounding in physical reality. Their ahistorical vibes approach seems to overweight the need for youth.

Sean Monahan of K-Hole normcore fame posted a mapping of the aesthetics of the decade that I thought spoke well to the strange relationship digital aesthetics have to time. I’m posting a diagram here from his post here.

8Ball “Stuck in The Past vs Inspired By The Past” trends breakdowns

If Gen Z is aging like milk it’s probably not because they are actually aging quickly. Though I’m sure the stress isn’t doing them any favors. I think dit’s what Ryan Broderick of Garbage Day points out here. The glamified hyper-media full face contour is an ageless one. It’s inspired by the past and stuck in the past. It’s got nothing to do with their actual age.